The Bulls Eye Rug is a 190cm x 160cm hand-selected piece and is part of the Curator's Collection, which composed of re-used and recycled materials.
The Bulls Eye Rug is a 190cm x 160cm hand-selected piece and is part of the Curator's Collection, which composed of re-used and recycled materials.
More eye candy.
More eye candy.
Fully realized during the last few years of his life, these "autonomous dwellings" were the culmination of all his learning and experience, according to Fuller. The "fly’s eye" holes can be used as doors or outfitted with wind or solar power to create off-the-grid housing. The largest model, a 50-foot-high dome, debuted in LA in 1981 and was out-of-sight for decades before being restored and shown at the Toulouse International Art Festival last year.
Fully realized during the last few years of his life, these "autonomous dwellings" were the culmination of all his learning and experience, according to Fuller. The "fly’s eye" holes can be used as doors or outfitted with wind or solar power to create off-the-grid housing. The largest model, a 50-foot-high dome, debuted in LA in 1981 and was out-of-sight for decades before being restored and shown at the Toulouse International Art Festival last year.
George Nelson worked with Vitra to create a variety of wall clocks, including the Eye Clock, rendered here in luxe brass and rich walnut. Now considered an icon of midcentury design, the Eye Clock is a distinct departure from traditional clocks—it is shaped like an abstract eye, including lash ticks to mark the time instead of a conventionally numbered face.
George Nelson worked with Vitra to create a variety of wall clocks, including the Eye Clock, rendered here in luxe brass and rich walnut. Now considered an icon of midcentury design, the Eye Clock is a distinct departure from traditional clocks—it is shaped like an abstract eye, including lash ticks to mark the time instead of a conventionally numbered face.
“I really liked the idea of rug you can lean against; it makes the room into more a landscape.” Pictured here is an eye rug in both a 2-D and 3-D version.
“I really liked the idea of rug you can lean against; it makes the room into more a landscape.” Pictured here is an eye rug in both a 2-D and 3-D version.
A perfectly composed bird's-eye view of a boxing match.
A perfectly composed bird's-eye view of a boxing match.
The sculpted eyeballs ornamenting the wheelthrown porcelain Giant Gilded Eye planter by Helen Levi are covered in a lustrous overlay with particles of real gold in it. This planter looks expensive in an entirely unique way.
The sculpted eyeballs ornamenting the wheelthrown porcelain Giant Gilded Eye planter by Helen Levi are covered in a lustrous overlay with particles of real gold in it. This planter looks expensive in an entirely unique way.
Wardell's office boasts a rectangular cutout the couple calls the "dinner's ready slot" for its bird's-eye perspective on the kitchen.
Wardell's office boasts a rectangular cutout the couple calls the "dinner's ready slot" for its bird's-eye perspective on the kitchen.
Images from Like a One Eyed Cat: Photographs by Lee Friedlander 1965-1987 (H.N. Abrams), which was published in 1989 on the occasion of a retrospective exhibition at the Seattle Art Museum. Images copyright Lee Friedlander/Fraenkel Gallery. Click on the image to see the entire page in the book.
Images from Like a One Eyed Cat: Photographs by Lee Friedlander 1965-1987 (H.N. Abrams), which was published in 1989 on the occasion of a retrospective exhibition at the Seattle Art Museum. Images copyright Lee Friedlander/Fraenkel Gallery. Click on the image to see the entire page in the book.
Image from Like a One Eyed Cat: Photographs by Lee Friedlander. Images copyright Lee Friedlander/Fraenkel Gallery. Click on the image to see the entire page in the book.
Image from Like a One Eyed Cat: Photographs by Lee Friedlander. Images copyright Lee Friedlander/Fraenkel Gallery. Click on the image to see the entire page in the book.
"Typhoon winds are unpredictable and can change direction anytime, as it was in the case of Haiyan. Realizing this affected our design decision to give our building its curved form that is aerodynamic in all directions," says designer Christin To. "Both the aerodynamic form of the roof and the internal organization of the spaces were derived from the concept of resilient geometries found in nature, such as the morphogenesis of biological cell structures and self-organizing patterns of atoms."
"Typhoon winds are unpredictable and can change direction anytime, as it was in the case of Haiyan. Realizing this affected our design decision to give our building its curved form that is aerodynamic in all directions," says designer Christin To. "Both the aerodynamic form of the roof and the internal organization of the spaces were derived from the concept of resilient geometries found in nature, such as the morphogenesis of biological cell structures and self-organizing patterns of atoms."
She also designed the 1957 Eye Clock for George Nelson.
She also designed the 1957 Eye Clock for George Nelson.
Here's a bird's eye view of the living area from the loft.
Here's a bird's eye view of the living area from the loft.
TERRACOTTA PENDANTS

Tactile and organic, these handmade pendants combine kiln-fired terra-cotta with a shiny, white porcelain glaze.
TERRACOTTA PENDANTS Tactile and organic, these handmade pendants combine kiln-fired terra-cotta with a shiny, white porcelain glaze.
Jewish Museum Berlin

Completed in 2001, Libeskind's thoughtful extension to the Jewish Museum Berlin features an expansive underground "void," meant to symbolize loss, that surfaces aboveground in an angular zinc structure.
Jewish Museum Berlin Completed in 2001, Libeskind's thoughtful extension to the Jewish Museum Berlin features an expansive underground "void," meant to symbolize loss, that surfaces aboveground in an angular zinc structure.
Here's another example of a curated display. Satisfying to the eye, if not always the wallet...
Here's another example of a curated display. Satisfying to the eye, if not always the wallet...
An bird's-eye view of the Massaro House.
An bird's-eye view of the Massaro House.
Concrete countertops by Newform Concreting lead the eye towards a large picture window.
Concrete countertops by Newform Concreting lead the eye towards a large picture window.
This shirt shows off one of Barry McGee's winsome, if cock-eyed, drawings.
This shirt shows off one of Barry McGee's winsome, if cock-eyed, drawings.
Brass finishings and an eye-catching range hood contrast with cool Carrara marble.
Brass finishings and an eye-catching range hood contrast with cool Carrara marble.
“Where we let loose was on the window,” Matt says. “It’s an aluminium window frame, which is bushfire compliant and easy to install, but the way that we detailed it was about hiding the frame so that the eye is drawn into the space.”
“Where we let loose was on the window,” Matt says. “It’s an aluminium window frame, which is bushfire compliant and easy to install, but the way that we detailed it was about hiding the frame so that the eye is drawn into the space.”
A more narrow window focuses the eye on tree trunks, creating an “abstracted view of the landscape,” says the firm.
A more narrow window focuses the eye on tree trunks, creating an “abstracted view of the landscape,” says the firm.
Vines spill over primary-colored, glazed-brick walls, which recall Girard’s eye-popping graphics.
Vines spill over primary-colored, glazed-brick walls, which recall Girard’s eye-popping graphics.
The curved blue kitchen larder has a projecting “nose” that illuminates the worktop and a mirrored eye that “winks” each time the door is opened.
The curved blue kitchen larder has a projecting “nose” that illuminates the worktop and a mirrored eye that “winks” each time the door is opened.
The bold colors and graphics of these cookies caught our eye. They tasted pretty good too.
The bold colors and graphics of these cookies caught our eye. They tasted pretty good too.
Paola Gracia keeps an eye on Kata, one of the couple’s schnauzers, from the second- story balcony. In the shade below the balcony is the dogs’ house, meant to mimic the Gracias’, that architect Jorge Gracia built from leftover building materials.
Paola Gracia keeps an eye on Kata, one of the couple’s schnauzers, from the second- story balcony. In the shade below the balcony is the dogs’ house, meant to mimic the Gracias’, that architect Jorge Gracia built from leftover building materials.
The home's sloping roofline guides the eye towards the outdoor living area. In the living room, occupants can relax in the Eames lounge.
The home's sloping roofline guides the eye towards the outdoor living area. In the living room, occupants can relax in the Eames lounge.
The living room resembles a large eye with a curved window and an eyelash-like eave that protects against dust, wind, sun, and rain.
The living room resembles a large eye with a curved window and an eyelash-like eave that protects against dust, wind, sun, and rain.
In the kitchen, a mini vertical garden provides fresh aromatic herbs thanks to a mix of direct sun and specialized artificial lighting. A vibrant rubber floor leads the eye forward.
In the kitchen, a mini vertical garden provides fresh aromatic herbs thanks to a mix of direct sun and specialized artificial lighting. A vibrant rubber floor leads the eye forward.
With an eye to making the home eco-friendly, both structures were built of prefabricated cross-laminated timber, while large openings, like the sliders in the kitchen, promote cross-ventilation.
With an eye to making the home eco-friendly, both structures were built of prefabricated cross-laminated timber, while large openings, like the sliders in the kitchen, promote cross-ventilation.
Though the front of this 1880s home in Adelaide, Australia, maintains a traditional facade due to strict heritage laws, the rear is modern eye candy at its best. See more of the home.
Though the front of this 1880s home in Adelaide, Australia, maintains a traditional facade due to strict heritage laws, the rear is modern eye candy at its best. See more of the home.
The first thing that caught my eye entering the tent was Lotty Lindeman's Tassenkast collection of luggage.
The first thing that caught my eye entering the tent was Lotty Lindeman's Tassenkast collection of luggage.
The black slate staircase draws the eye upwards to the wooden ceiling, which took six months to restore. Dodi Moss “treated it just like an intervention on a work of art, as a testimony of and investigation into the skill with which it had been created.”
The black slate staircase draws the eye upwards to the wooden ceiling, which took six months to restore. Dodi Moss “treated it just like an intervention on a work of art, as a testimony of and investigation into the skill with which it had been created.”
"The importance of this outdoor connection was a very high priority for the clients," O'Brien explains. "They wanted the boys to be free, but wanted to keep an eye on them without them feeling like they’re being monitored."
"The importance of this outdoor connection was a very high priority for the clients," O'Brien explains. "They wanted the boys to be free, but wanted to keep an eye on them without them feeling like they’re being monitored."
The eye-catching kitchen cabinets behind Cat Macleod and her daughter, Celeste, were custom-built in lemon Liri Laminate by Amerind. The island bench is made from the same alpine ash used on the floor and the stairs all the way up to the master bedroom. Read the full article here.
The eye-catching kitchen cabinets behind Cat Macleod and her daughter, Celeste, were custom-built in lemon Liri Laminate by Amerind. The island bench is made from the same alpine ash used on the floor and the stairs all the way up to the master bedroom. Read the full article here.

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