A bicycles tethered to a rack are among the artifacts on display. Photo by Jin Lee.
A bicycles tethered to a rack are among the artifacts on display. Photo by Jin Lee.
This Ladder Co. 3 truck carried 11 firefighters from a fire house in the East Village to the Trade Center on 9/11. All of them perished in the North Tower. Photo by Jin Lee.
This Ladder Co. 3 truck carried 11 firefighters from a fire house in the East Village to the Trade Center on 9/11. All of them perished in the North Tower. Photo by Jin Lee.
About 14,000 unidentified human remains are held in this repository in the museum's Memorial Hall. Photo by Jin Lee.
About 14,000 unidentified human remains are held in this repository in the museum's Memorial Hall. Photo by Jin Lee.
Column No. 1,001B, the last section of World Trade Center steel to be removed from Ground Zero, stands 37 feet tall next to the slurry wall inside the National September 11 Memorial Museum, designed by Davis Brody Bond. The museum opened in May.
Column No. 1,001B, the last section of World Trade Center steel to be removed from Ground Zero, stands 37 feet tall next to the slurry wall inside the National September 11 Memorial Museum, designed by Davis Brody Bond. The museum opened in May.
The pavilion is outfitted with materials, including ash slats on the ceiling, that Craig Dykers, founding partner at Snøhetta, says were chosen to "provide a sense of comfort as this is a site filled with a great deal of anxiety." At left are a pair of "trident" columns that survived the collapse of the North Tower of the World Trade Center. Photo courtesy of Snøhetta.
The pavilion is outfitted with materials, including ash slats on the ceiling, that Craig Dykers, founding partner at Snøhetta, says were chosen to "provide a sense of comfort as this is a site filled with a great deal of anxiety." At left are a pair of "trident" columns that survived the collapse of the North Tower of the World Trade Center. Photo courtesy of Snøhetta.
Artifacts, including a grapple claw and a sign from the World Trade Center PATH station, on display at the National September 11 Memorial Museum. Photo by Jin Lee.
Artifacts, including a grapple claw and a sign from the World Trade Center PATH station, on display at the National September 11 Memorial Museum. Photo by Jin Lee.
Visitors will pass this photograph of the World Trade Center, taken at 8:30 a.m. on September 11, 2001, as they begin to follow the "ribbon" from the concourse level down to the exhibits at bedrock level. Photo by Jin Lee.
Visitors will pass this photograph of the World Trade Center, taken at 8:30 a.m. on September 11, 2001, as they begin to follow the "ribbon" from the concourse level down to the exhibits at bedrock level. Photo by Jin Lee.
A section of "impact steel" from the World Trade Center is on display outside the footprint of the South Tower inside the National September 11 Memorial Museum.
A section of "impact steel" from the World Trade Center is on display outside the footprint of the South Tower inside the National September 11 Memorial Museum.
Airplaine wreckage on display in the historical exhibit. Photo by Jin Lee.
Airplaine wreckage on display in the historical exhibit. Photo by Jin Lee.
One of the box columns from the original Trade Center that the architects were required to preserve and integrate into the museum's design. Photo by Jin Lee.
One of the box columns from the original Trade Center that the architects were required to preserve and integrate into the museum's design. Photo by Jin Lee.
At street level, the museum pavilion sits between the memorial pools that occupy the footprints of the original World Trade Center towers, near the new One World Trade Center skyscraper. Photo courtesy of Snøhetta.
At street level, the museum pavilion sits between the memorial pools that occupy the footprints of the original World Trade Center towers, near the new One World Trade Center skyscraper. Photo courtesy of Snøhetta.
A display from the Chelsea Jeans store near the World Trade Center. Photo by Jin Lee.
A display from the Chelsea Jeans store near the World Trade Center. Photo by Jin Lee.
The Survivors' Stairs inside the National September 11 Memorial Museum.
The Survivors' Stairs inside the National September 11 Memorial Museum.
Visitors will enter the museum through this pavilion off Greenwich Street, designed by Snøhetta. Image courtesy of Snøhetta.
Visitors will enter the museum through this pavilion off Greenwich Street, designed by Snøhetta. Image courtesy of Snøhetta.
2011: Peter Zumthor

Wrapped in stark, black wood, Swiss architect Peter Zumthor’s Serpentine scheme presented a frame for Piet Oudolf’s lush garden, a use of color and space that manages to create a secret garden in an already outdoor space.

Photograph © 2011 Walter Herfst
2011: Peter Zumthor Wrapped in stark, black wood, Swiss architect Peter Zumthor’s Serpentine scheme presented a frame for Piet Oudolf’s lush garden, a use of color and space that manages to create a secret garden in an already outdoor space. Photograph © 2011 Walter Herfst
ISAM with Amon Tobin (2011) 

V-Squared Labs and Leviathan created this cutting-edge concert setup, which surrounds the Brazilian-born producer and DJ with real-time projection mapping and generative imagery.

Image courtesy of Calder Wilson
ISAM with Amon Tobin (2011) V-Squared Labs and Leviathan created this cutting-edge concert setup, which surrounds the Brazilian-born producer and DJ with real-time projection mapping and generative imagery. Image courtesy of Calder Wilson
Hundreds attended the kick-off party at New Center Park for the inaugural Detroit Design Festival in 2011. Photo by Noah Stephens.
Hundreds attended the kick-off party at New Center Park for the inaugural Detroit Design Festival in 2011. Photo by Noah Stephens.
In Japan Style we explore the proliferation of Japanese design and how it's been folded into the story of modernism. Our cover story is actually in San Diego, and we hit a Japanese-inspired home in Edinburgh, Scotland too. Photo by: Daniel Hennessy
In Japan Style we explore the proliferation of Japanese design and how it's been folded into the story of modernism. Our cover story is actually in San Diego, and we hit a Japanese-inspired home in Edinburgh, Scotland too. Photo by: Daniel Hennessy
Untitled. From series "Funktionsorte," 2011.
Untitled. From series "Funktionsorte," 2011.
ARTEK 901 TEA TROLLEY

Designed by Alvar Aalto in 1936, the Tea Tray 901 is a surprisingly contemporary take on the bar tray. The sculpted, natural lacquered birch frame is paired with two shelves and white lacquered MDF wheels with black rubber rings. Mobile and captivating, the Tea Tray is perfect for taking your tea— or other beverage of choice— on the go.
ARTEK 901 TEA TROLLEY Designed by Alvar Aalto in 1936, the Tea Tray 901 is a surprisingly contemporary take on the bar tray. The sculpted, natural lacquered birch frame is paired with two shelves and white lacquered MDF wheels with black rubber rings. Mobile and captivating, the Tea Tray is perfect for taking your tea— or other beverage of choice— on the go.
Inspiration for the new season, Garden Furniture 2011, shot by Petra Bindel for Elle Interior.
Inspiration for the new season, Garden Furniture 2011, shot by Petra Bindel for Elle Interior.
9091 Kettle by Richard Sapper for Alessi

Subverting the anxiety-inducing noise produced by typical kettles, Sapper’s 1983 design includes a brass whistle that emanates a harmonic pitch.
9091 Kettle by Richard Sapper for Alessi Subverting the anxiety-inducing noise produced by typical kettles, Sapper’s 1983 design includes a brass whistle that emanates a harmonic pitch.
In our 2011 small spaces issue we checked out the home of a pair of design-savvy Portlanders. And in the cover story we check out a small New York spot remade with 36 commercial doors. Photo by: Nicholas Calcott
In our 2011 small spaces issue we checked out the home of a pair of design-savvy Portlanders. And in the cover story we check out a small New York spot remade with 36 commercial doors. Photo by: Nicholas Calcott
Untitled. From series "Studie Eins," 2011.
Untitled. From series "Studie Eins," 2011.
Untitled. From series "Snow Blind," 2011.
Untitled. From series "Snow Blind," 2011.
Untitled. From series "Studie Eins," 2011.
Untitled. From series "Studie Eins," 2011.
2011, Studio Cerri & Associatti / Pierluigi Cerri and Allessandro Colombo.
2011, Studio Cerri & Associatti / Pierluigi Cerri and Allessandro Colombo.
Iwan Baan: Torre David #1 (2011)
Iwan Baan: Torre David #1 (2011)
Curator Marianne Bernstein and Penn Design students produced Not a Vacant Lot, a five-day exhibition re-imagining a vacant lot in the middle of Center City for DesignPhiladelphia 2011. Photo by Kevin Monko.
Curator Marianne Bernstein and Penn Design students produced Not a Vacant Lot, a five-day exhibition re-imagining a vacant lot in the middle of Center City for DesignPhiladelphia 2011. Photo by Kevin Monko.
If you're anything like us, you love New York. Our issue dedicated to the Big Apple looks at tiny apartments, communal living in Brooklyn, and hits all five boroughs. Photo by: David Allee
If you're anything like us, you love New York. Our issue dedicated to the Big Apple looks at tiny apartments, communal living in Brooklyn, and hits all five boroughs. Photo by: David Allee
Textile Field, 2011. Installation, Victoria and Albert Museum, London
Textile Field, 2011. Installation, Victoria and Albert Museum, London
A day-glo set of chairs exhibited at the 2011 IDS Toronto.
A day-glo set of chairs exhibited at the 2011 IDS Toronto.
The Santa Monica location, which showcased the same Googie-style neon sign as Norms La Cienega, closed in July 2013. After 49 years of service, and to the lament of many local residents, it was later demolished.
The Santa Monica location, which showcased the same Googie-style neon sign as Norms La Cienega, closed in July 2013. After 49 years of service, and to the lament of many local residents, it was later demolished.
Yves Behar delivers the first lecture at the 2011 Compostmodern conference.
Yves Behar delivers the first lecture at the 2011 Compostmodern conference.
Simpatico Homes founder Seth Krubiner has lived in the prefab company’s nearly net-zero prototype since it was customized and lifted onsite in 2011.
Simpatico Homes founder Seth Krubiner has lived in the prefab company’s nearly net-zero prototype since it was customized and lifted onsite in 2011.
Tunnel House by Makiko Tsukada, 2011, Suginami-ku, Tokyo Prefecture
Tunnel House by Makiko Tsukada, 2011, Suginami-ku, Tokyo Prefecture

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