The living room Ortal fireplace is clad in cold-rolled steel with a waxed finish. The side chairs, vintage reproductions from Room and Board, feature shapely walnut arms.
The living room Ortal fireplace is clad in cold-rolled steel with a waxed finish. The side chairs, vintage reproductions from Room and Board, feature shapely walnut arms.
While effortlessly chic and minimalist in the final photography, Arch11 noted that much of the success of this project can be attributed to working with a construction team dedicated to craftsmanship. “Even though this modern [design] language is common, a lot of Hale Construction’s work is restoration. He [Andrew Hale] practiced his craft at the highest level,” noted Meade.
While effortlessly chic and minimalist in the final photography, Arch11 noted that much of the success of this project can be attributed to working with a construction team dedicated to craftsmanship. “Even though this modern [design] language is common, a lot of Hale Construction’s work is restoration. He [Andrew Hale] practiced his craft at the highest level,” noted Meade.
In Lorne, Victoria, Austin Maynard Architects gave an old shack near the beach a modern revamp and a timber extension that allows for elevated sea views. With interiors lined in recycled Silvertop Ash, the house oozes a cozy, cabin-like feel.
In Lorne, Victoria, Austin Maynard Architects gave an old shack near the beach a modern revamp and a timber extension that allows for elevated sea views. With interiors lined in recycled Silvertop Ash, the house oozes a cozy, cabin-like feel.
This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
Sleeping nooks that look like the grooves in a block of cheese.
Sleeping nooks that look like the grooves in a block of cheese.
Both cabins are elevated on wooden pillars about 260 feet above sea level.
Both cabins are elevated on wooden pillars about 260 feet above sea level.
In all of its beige glory...
In all of its beige glory...
The home includes multiple furnishings and lights designed by Wright, including this dining set and hanging pendant light.
The home includes multiple furnishings and lights designed by Wright, including this dining set and hanging pendant light.
The back of the house serves as the greatest departure from the otherwise preserved proportions of the original Victorian farmhouse. With the thoughtful insertion of a “glass dining cube” and a rehabilitated deck space with sliding doors that can stand open, an outdoor living space creates additional programmatic flexibility while reinforcing the indoor/outdoor connection.
The back of the house serves as the greatest departure from the otherwise preserved proportions of the original Victorian farmhouse. With the thoughtful insertion of a “glass dining cube” and a rehabilitated deck space with sliding doors that can stand open, an outdoor living space creates additional programmatic flexibility while reinforcing the indoor/outdoor connection.
The open living space is surrounded by large, angular pieces of glass and sits on a floor made with Colorundum in a Cherokee Red, a material and color Wright often used in his work. This space also includes a brick wood-burning fireplace.
The open living space is surrounded by large, angular pieces of glass and sits on a floor made with Colorundum in a Cherokee Red, a material and color Wright often used in his work. This space also includes a brick wood-burning fireplace.
The extension’s lower level flows uninterrupted from the garden to the kitchen. Storage units hidden under the staircase give the living spaces an uncluttered feel. A Skygarden pendant by Marcel Wanders hangs over Snow 300 dining chairs by James Richardson, providing light in those rare hours when sunlight isn’t streaming in.
The extension’s lower level flows uninterrupted from the garden to the kitchen. Storage units hidden under the staircase give the living spaces an uncluttered feel. A Skygarden pendant by Marcel Wanders hangs over Snow 300 dining chairs by James Richardson, providing light in those rare hours when sunlight isn’t streaming in.
“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident
“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident

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