SubscribeSign In
This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
The living room Ortal fireplace is clad in cold-rolled steel with a waxed finish. The side chairs, vintage reproductions from Room and Board, feature shapely walnut arms.
The living room Ortal fireplace is clad in cold-rolled steel with a waxed finish. The side chairs, vintage reproductions from Room and Board, feature shapely walnut arms.
Designed by Belgium architectural studio OYO Architects, this 1,883-square-foot family residence in Maldegem, East Flanders, was conceived with a single green roof that meets the grass at ground level. The concrete base of the structure supports a lightweight timber frame, which was assembled in a local warehouse before being mounted on site. Different plants are grown on the green roof throughout the seasons.
Designed by Belgium architectural studio OYO Architects, this 1,883-square-foot family residence in Maldegem, East Flanders, was conceived with a single green roof that meets the grass at ground level. The concrete base of the structure supports a lightweight timber frame, which was assembled in a local warehouse before being mounted on site. Different plants are grown on the green roof throughout the seasons.
2206 Parklands Lane, Saint Louis Park, MN 55416
2206 Parklands Lane, Saint Louis Park, MN 55416
Though this home is close to downtown Minneapolis, it sits on a quiet, 3.77-acre piece of land. When you approach the brick home, it immediately becomes clear that it’s a Frank Lloyd Wright-designed home—thanks to its wing-like shape and Cherokee Red-painted steps.
Though this home is close to downtown Minneapolis, it sits on a quiet, 3.77-acre piece of land. When you approach the brick home, it immediately becomes clear that it’s a Frank Lloyd Wright-designed home—thanks to its wing-like shape and Cherokee Red-painted steps.
Completed in 1946, the Booth House was originally built for an advertising executive and his wife before becoming a rental property in 1955 for the architectural photographer Robert Damora, and architect Sirkka Damora. The Damoras later purchased the home and have lived there ever since. Now 93 years old, Sirkka has been seeking a new owner for this piece of architectural history. Litigation over the title means that the Booth House could face being torn down—so its buyer will also be its rescuer.
Completed in 1946, the Booth House was originally built for an advertising executive and his wife before becoming a rental property in 1955 for the architectural photographer Robert Damora, and architect Sirkka Damora. The Damoras later purchased the home and have lived there ever since. Now 93 years old, Sirkka has been seeking a new owner for this piece of architectural history. Litigation over the title means that the Booth House could face being torn down—so its buyer will also be its rescuer.
Sleeping nooks that look like the grooves in a block of cheese.
Sleeping nooks that look like the grooves in a block of cheese.
In this photo of the Diamond Street House taken by Julius Shulman, Lyster Brock (left) stands next to his brother on his father's roof truss.
In this photo of the Diamond Street House taken by Julius Shulman, Lyster Brock (left) stands next to his brother on his father's roof truss.
In all of its beige glory...
In all of its beige glory...
The home includes multiple furnishings and lights designed by Wright, including this dining set and hanging pendant light.
The home includes multiple furnishings and lights designed by Wright, including this dining set and hanging pendant light.
The back of the house serves as the greatest departure from the otherwise preserved proportions of the original Victorian farmhouse. With the thoughtful insertion of a “glass dining cube” and a rehabilitated deck space with sliding doors that can stand open, an outdoor living space creates additional programmatic flexibility while reinforcing the indoor/outdoor connection.
The back of the house serves as the greatest departure from the otherwise preserved proportions of the original Victorian farmhouse. With the thoughtful insertion of a “glass dining cube” and a rehabilitated deck space with sliding doors that can stand open, an outdoor living space creates additional programmatic flexibility while reinforcing the indoor/outdoor connection.
The open living space is surrounded by large, angular pieces of glass and sits on a floor made with Colorundum in a Cherokee Red, a material and color Wright often used in his work. This space also includes a brick wood-burning fireplace.
The open living space is surrounded by large, angular pieces of glass and sits on a floor made with Colorundum in a Cherokee Red, a material and color Wright often used in his work. This space also includes a brick wood-burning fireplace.

25.6k more photos