Situated on a sloped-site, each renovated space provides a unique perspective and vista to the dramatic natural surroundings. The office, with its stark modern furnishings and subtle artwork, allows the large window to serve as perhaps the most dramatic, singular frame to the foliage beyond.

Designed by Belgium architectural studio OYO Architects, this 1,883-square-foot family residence in Maldegem, East Flanders, was conceived with a single green roof that meets the grass at ground level. The concrete base of the structure supports a lightweight timber frame, which was assembled in a local warehouse before being mounted on site. Different plants are grown on the green roof throughout the seasons.

2206 Parklands Lane, Saint Louis Park, MN 55416

Though this home is close to downtown Minneapolis, it sits on a quiet, 3.77-acre piece of land. When you approach the brick home, it immediately becomes clear that it’s a Frank Lloyd Wright-designed home—thanks to its wing-like shape and Cherokee Red-painted steps.

House O, designed by Jun Igarashi, forgoes hallways and interior doors in favor of casually interconnected rooms.

Completed in 1946, the Booth House was originally built for an advertising executive and his wife before becoming a rental property in 1955 for the architectural photographer Robert Damora, and architect Sirkka Damora. The Damoras later purchased the home and have lived there ever since. Now 93 years old, Sirkka has been seeking a new owner for this piece of architectural history. Litigation over the title means that the Booth House could face being torn down—so its buyer will also be its rescuer.

The house for Kundan's mother, dubbed Chameli, is constructed of two 40 x 8 containers located next to the family's garden.

In this photo of the Diamond Street House taken by Julius Shulman, Lyster Brock (left) stands next to his brother on his father's roof truss.

When Pablo Pérez Palacios’ Mexico City–based architecture firm PPAA was tasked with building an apartment tower to meet La Colonia Roma's need for additional housing, he faced a problem familiar to developers in historic neighborhoods everywhere. The site was occupied by a dilapidated home that dates to 1925, and local laws required that the facade and part of the structure be maintained. PPAA’s innovative approach was to cut the original three-story home in half, preserving enough of the building to front the street and hold two apartments replete with classic Victorian details like high ceilings and restored millwork. In the back of the lot, they designed a sleek eight-story apartment tower that would hold an additional nine apartments, for a total of 11 units. Not bad for a site that was previously an uninhabited single-family house.

The living room Ortal fireplace is clad in cold-rolled steel with a waxed finish. The side chairs, vintage reproductions from Room and Board, feature shapely walnut arms.

Sleeping nooks that look like the grooves in a block of cheese.

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