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The inverted pyramid roof of Kloof 119A glows at night, creating a giant light box effect.
Each level opens up to green space, creating a breezy, indoor/outdoor connection. Furniture by OKHA—the Hunt Sofa, the Nate, Nicci Nouveau, and Vince and Miles Armchairs—outfit the living spaces.
A swinging entrance door makes a bold first impression.
The Tinbeerwah house and studio keep a low profile among the site’s eucalyptus trees.
A NOR11 chair anchors a sunny corner.
The facade features a sunny yellow balcony—intended to spark a smile, but it’s also a statement by the architects against the “monotonous and dull color palette” of traditional Japanese neighborhoods.
The idea of balance is expressed in all facets of the project—from light to dark, indoor to outdoor.
Home to Greg Truen, director of South African architecture and design firm SAOTA, Kloof 119A is a 9,150-square-foot residence in Cape Town that takes advantage of mountain and city views while de-emphasizing the street and neighboring homes. Kitchen joinery was done by Roma Casa Kitchens. Clerestory windows allow mountain views and light to drench the space.
"Shane enjoys both cooking and entertaining so we maximized the counter space to make meal prep and hosting easy," Priftaj says. "It was also very important that the kitchen include a gas grill so he could quickly and conveniently grill without having to climb up five flights of stairs to use the bbq on the patio." Priftaj selected high-gloss acrylic white cabinets from bulthaup's b3 line with an aluminum backsplash and b3 prism drawer system to keep things tidy. A Wolf hood and gas cooktop with chargrill give Carslake the flexibility he desired for indoor grilling. The counters are polished white quartz.
Site work in progress.
Future site view. Overgrown 21+ acre forested site.
Despite the cast-on-site concrete dividers, there's still an airy sense of space; the dividers support, instead of overwhelm. This approach came from the architects' constant sense of experimentation and playfulness, a deliberate approach that helped them find new ways to use recycled and salvaged materials.
"It was supposed to be as naked as possible," says Alexandru Popescu, one of the members of R3Architetti who helped design and build the 3 Vaults apartment. "The furniture is absolutely included in the architecture; it’s more like an indoor landscape instead of a typical open plan." The kitchen exemplifies their approach, with textured concrete walls contrasting with wood panels and salvaged industrial lighting. The table, custom built by R3Architetti, is made in part from pipes procured from one of their fathers, a plumber.
Collage of site photos overlaid on top of previous owner's site plan. Site was unoccupied when purchased.
OPA wanted to free themselves from logic imposed by a grid and considered various inefficient configurations of shipping containers. They settled on a combination of options, seen in the trikselion shape here. The Presidio, San Francisco, California. Mobile exhibition pavilion for the For-Site Foundation. © Tim Griffith.
site design group, ltd.
The award-winning landscape firm behind sites such as Mary Bartelme Park took over the penthouse of the historic Crane Company Building, designed by Holabird & Roche in 1912, and turned it into a playful, open workspace.
For more informartion on the project, visit gracefarms.org.
The site of much permit-wrangling.
The kitchen island and cabinets at this Melbourne renovation are made of recycled timber, taking cue from the wooden bookcase that designer Kim Kneipp installed during the home’s first restyling.
The multidisciplinary team at State of Kin, a Perth-based design studio, wanted to create a uniquely Australian home, one that incorporated a variety of both multicultural and local sources. The idea of such a mix, says director Ari Salomone, "is quite true to the Australian vernacular." <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif;">When choosing what shades would go into the home's color palette, the design team drew heavily on the Western Australian landscape. "We looked to the Pindan red dirt of the Northwest, the luminous white beaches, the dusty eucalyptus greens,
A wider look at the building's siting.
The sunken lounge was designed with "slowing down and appreciating the environment" in mind. A custom-made, built-in sofa wraps around the space, bleeding into the stairs and a custom wood display shelf. Not having a TV was an intentional choice. "We wanted the client to be able to lie back and watch the clouds and the sky, to have conversations, to read a book, to play with their pets," says Knights.
Large windows let in an abundance of natural light and views of the landscape.
Honed Carrara marble lines the kitchen countertops as well as the backsplash.
The soft undulation of the outer brick wall continues playfully throughout the heart of the family home in a lattice form.
Planning regulations required a gable roof, which the architects split into four shed roofs carefully designed to respond to heavy snow shed and meet spatial and aesthetic wishes.
Glass doors open the home to an expansive wooden deck overlooking gorgeous Alpine views.
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