Set on an east-west axis, the home stays cool with shading south-facing glass, minimal west-facing glass, and operable windows that allow for natural ventilation. Energy recovery ventilators also bring fresh air into the home.

This garage space uses iconic checkerboard floor tiles to contrast the rustic barn door that provides entry to the rest of The Barn.

Another view of the garage reveals its extensive space to house vehicles and protect them from the elements.

While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.

Vintage Alvar Aalto Table Model 91 “I thought it would be interesting to include a piece of vintage furniture, since that’s where we got our start. It’s a bold and big table for such a restrained designer, with chunky legs and decorative veneer. It’s big for 1930’s standards, and still has labels and stickers on the bottom, including one from Harvey Nichols, the original importer.”

Two pieces from E15’s Shiraz sofa flank the company’s wooden Leila side tables. Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for FontanaArte—gives off a soft glow and replaces the dozens of paper-lampshade wall fixtures the owners found in the house when they bought it. Stewart Cohen’s zany photograph of a gun-toting Marfa resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, yet darkly humorous.

The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”

Photos By Rob Turner Photography

500eby Fiat Like Smart cars, Fiats are practically Lilliputian—ideal for wedging into tight parking spaces. An electric version of the popular retro-inspired car is available in California as of this summer. After a four-hour-long full charge, the zero-emission vehicle travels about 87 miles. The car’s accompanying mobile app locates the nearest charging station—useful for those trips into unfamiliar territory. fiatusa.com

The bar showcases many green products. The bar top, made at the 19 greek street gallery, is fashioned from recycled glass, and the chairs, from both Out of the Dark and Studio deForm, are fashioned from upcycled material.

Another view of the mezzanine. Rough brick walls add texture and old-world charm.

According to Ndoro, LIBRARY will “provide a much-needed space for the pioneering design community of the capital and beyond.” This room features a collection of eclectic Middle Eastern and African pieces, according to 19 greek street founder and creative director Marc Peridis. The curvaceous M'Afrique Shadowy Chair by Moroso is made by Senegalese craftsman, the rug and vases are fashioned from recycled African fabric. The two Papillon chairs near the window are by Karen Chekerdjian, a designer based in Lebanon.

Situated on a sloped-site, each renovated space provides a unique perspective and vista to the dramatic natural surroundings. The office, with its stark modern furnishings and subtle artwork, allows the large window to serve as perhaps the most dramatic, singular frame to the foliage beyond.

The entryway leads into the living room, and a low wall hides the staircase that leads to the lower level from view.

Although the built-in storage eliminated the need for a lot of furniture, classic items like the Eames walnut stool and Executive Aluminum Group chair, and De La Espada's 011 Atlantico bed.