Fireplace as it was at time of home purchase

Fireplace after we ripped out many things from the room.

This garage space uses iconic checkerboard floor tiles to contrast the rustic barn door that provides entry to the rest of The Barn.

Another view of the garage reveals its extensive space to house vehicles and protect them from the elements.

The living room Ortal fireplace is clad in cold-rolled steel with a waxed finish. The side chairs, vintage reproductions from Room and Board, feature shapely walnut arms.

Casa 2I4E - P+0 arquitectura

Casa 2I4E - P+0 arquitectura

In all of its beige glory...

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While effortlessly chic and minimalist in the final photography, Arch11 noted that much of the success of this project can be attributed to working with a construction team dedicated to craftsmanship. “Even though this modern [design] language is common, a lot of Hale Construction’s work is restoration. He [Andrew Hale] practiced his craft at the highest level,” noted Meade.

In Lorne, Victoria, Austin Maynard Architects gave an old shack near the beach a modern revamp and a timber extension that allows for elevated sea views. With interiors lined in recycled Silvertop Ash, the house oozes a cozy, cabin-like feel.

2007 Office Pets.

2009Tribute to Camper.

2002 Repeat, for Maharam.

1999 The Kasese Chair.

The addition’s two stories of cedar-framed sliding doors and window provide generous views of the house’s prized jacaranda tree. The addition’s polished concrete floor and white cladding extend into the garden, drawing occupants to the serene rear porch. There, they can relax on stools designed by Alvar Aalto and Charles Wilson while admiring the luscious greenery.

While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.

2006 Worker Chair for Vitra.

Two pieces from E15’s Shiraz sofa flank the company’s wooden Leila side tables. Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for FontanaArte—gives off a soft glow and replaces the dozens of paper-lampshade wall fixtures the owners found in the house when they bought it. Stewart Cohen’s zany photograph of a gun-toting Marfa resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, yet darkly humorous.