Purple thistles, California poppies, clover, and dandelions have all taken root in the roughly 10-inch-deep, lightweight humus and grape-husk soil in this 580-square-foot green roof. Designer Peter Liang says that he "wanted to plant a green roof for its thermal mass, but I wanted it to be as natural as possible."
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.
The owners toured this home, which surrounds a mature tipu tipu tree, while visiting relatives for the day. The brick is original to the 1947 construction.
The playroom later became Xenia’s office.
Sliding doors by Quantum were made to look like the original panes that couldn't be saved, and they lead to a fire pit outside.
At the top of the stairwell, a sitting area is outfitted with a vintage Eames lounge, a large Jack Goldstein painting, and a 1970s light fixture found by Marcovitz in Paris.
The view!
The kitchen features a concrete island topped with marble. Deja-Vu stools by Naoto Fukasawa surround the island. A print by Guy Gormley, as well as a painting bought during holiday in St. Tropez, hang on the walls.
Take a look at some of the most exciting, sustainable buildings around the world, and you may notice something they have in common: green roofs, or rooftops covered with a thin layer of soil to allow for grasses and other low-lying plants to grow.
New Depths
Inspired by a local winery, George Kyprianou wanted a glass top on his subterranean wine cellar. The interior is lit, casting soft light into the living space at night and revealing the 132-year-old stone foundation. The three-quarter-inch glass lid sits flush with the floorboards; it opens with an ingenious device that Kyprianou devised using a 12-volt air compressor and a remote-controlled switch. When you push the button, the glass lifts just enough to be removed by hand.
Light Box
Peter created a simple uplight at the top of the wood box by wiring together energy-efficient fluorescent fixtures typically used under cabinets and countertops. “The cheaper magnetic models hum unacceptably loudly, so make sure you get the electronic ballast types,” he warns. He then painted the cavity white to reflect light and covered them with quarter-inch-thick acrylic from TAP Plastics.
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The view of Kapiti Island is fully revealed from the tower.
The top container contains Wardell's office—and a "napping nook" above that.
The sunken living room is just one of many grade changes inside the structure. “We were adamant that we didn’t want something domestic,” says Andrew. “We wanted something surprising, that was hyper-animated, and that, when you moved through it, changed all the time.” The sofa, designed by the couple and Levenbetts, is upholstered in cotton velvet. The Habibi side tables are by Philipp Mainzer for e15, the fireplace tools by Fort Standard, and the doors by Fleetwood.
In the dining area, a one-of-a-kind table with a reclaimed Carrara marble top by NET—themultidisciplinary design firm of architect Alejandro Sticotti, with whom Nicolas works—is surrounded by prototypes of the company’s Board chair. The family dog, China, sits on a floor made of travertine tiles.
The 260-square-foot Hytte module features tall ceilings of up to nearly 12 feet. Multiple windows fill the interior with natural light and frame views of the outdoors.
Stepstone's narrow concrete pavers add a graphic touch to the garden.
When designer Hilton Carter furnished the industrial-style Baltimore apartment and work studio he shares with his wife Fiona, their dog Charlie and two cats Zoe and Isabella, he created a wondrous indoor woodland that offers all the benefits of being outdoors without leaving home.
The colors used in the interior were inspired by the surrounding landscape. The kitchen island is clad in solid timber fluting crafted from durable plantation-grown iroko with with a granite top. “The green-blue-brown color of the granite benchtops very much reminded me of the colors of the water in the nearby harbor of Tutakaka,” says architect Belinda George.
A custom sofa was installed on the far side of the bathroom for even more space to relax.
"Shane enjoys both cooking and entertaining so we maximized the counter space to make meal prep and hosting easy," Priftaj says. "It was also very important that the kitchen include a gas grill so he could quickly and conveniently grill without having to climb up five flights of stairs to use the bbq on the patio." Priftaj selected high-gloss acrylic white cabinets from bulthaup's b3 line with an aluminum backsplash and b3 prism drawer system to keep things tidy. A Wolf hood and gas cooktop with chargrill give Carslake the flexibility he desired for indoor grilling. The counters are polished white quartz.
"A well-performing house extension facing south on a small inner-city block built in rammed earth is not easy to achieve," said Welsch. "However, in this challenge was our opportunity: We decided that our extension will curl around to capture the sun, creating a communal courtyard and allowing the occupants to look at their own house rather than a paling fence."
The architects added a small circular skylight to serve as a vertical focal point in the center of the fifth floor. The quarter-sawn white oak risers produce a beautiful rippled grain highlighted by the abundant natural light.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
Double doors connect the outside to a main living space in this “garden cottage” ADU.
Despite the cast-on-site concrete dividers, there's still an airy sense of space; the dividers support, instead of overwhelm. This approach came from the architects' constant sense of experimentation and playfulness, a deliberate approach that helped them find new ways to use recycled and salvaged materials.
The yellow North Face tent looms over the top of the main building.
Yvette, Adrian, and their son Julian survey the view from the top-floor terrace. “I’ve never been fond of modernism—I find it cold,” Adrian admits. “But having this house, I have
to say, it’s growing on me.”
The kitchen island and cabinets at this Melbourne renovation are made of recycled timber, taking cue from the wooden bookcase that designer Kim Kneipp installed during the home’s first restyling.
The multidisciplinary team at State of Kin, a Perth-based design studio, wanted to create a uniquely Australian home, one that incorporated a variety of both multicultural and local sources. The idea of such a mix, says director Ari Salomone, "is quite true to the Australian vernacular." <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif;">When choosing what shades would go into the home's color palette, the design team drew heavily on the Western Australian landscape. "We looked to the Pindan red dirt of the Northwest, the luminous white beaches, the dusty eucalyptus greens,
Still, it’s possible to remove or relocate non-structural walls in a home with good bones.
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