Perched just above the edge of the Narrows, the house is an ideal place to live surrounded by the wild beauty of Ketchikan.

“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident

New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

Located 31 miles north of Lima, the C3 House is set in a windswept Ancón landscape that the architects describe as "martian-like."

By knocking down walls, Dominguez was able to open the previously cramped kitchen and add extra cabinetry and counter space. He was also able to make room for a peninsula with a waterfall edge.

The kitchen’s original galley layout was retained, and the walls and utilities were kept in place.

The two tiny homes were designed by CAST Architecture.

This Beverly Hills kitHAUS is comprised of modernist prefab modules that can accommodate a variety of uses: from yoga studios to home offices, and from weekend retreats to pop-up kiosks and guest rooms.

Wedge by Wheelhaus

The living room and dining area occupy the heart of the "living" volume and are enclosed on both sides by full-height glazing.

In the living room, an 18th century jajim, purchased in Istanbul, hangs behind a Molteni & C sofa covered in woven linen with mohair pillows. The wool rug is from California Carpets.

100 Contemporary Green Buildings, Volume 1 is available through Taschen

100% Bollocks by The Wooden Truth, approximately 17 x 12 inches, $38

100 Quotes By Charles Eames, $25

While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.

Interior designer Cathie Hong transformed the kitchen of this San Jose Eichler into a bright open space, but kept the wood paneling in the adjacent room, to preserve the warm, midcentury feel.

The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”

Photos By Rob Turner Photography

Unité d'Habitation in Marseille, France

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Pantone's 102-C

Paul Brown's plotter drawing "BIGDIM / 0 10 10 0 0 0 / 200,120 / 11,969" is an intricate progression and deconstruction of geometric shapes. 1979, from Digital Pioneers.

Situated on a sloped-site, each renovated space provides a unique perspective and vista to the dramatic natural surroundings. The office, with its stark modern furnishings and subtle artwork, allows the large window to serve as perhaps the most dramatic, singular frame to the foliage beyond.