Sleeping nooks that look like the grooves in a block of cheese.

A passage between the walls for hide and seek.

The extensive use of natural wood on nearly every surface makes the inside of The Barn feel like an extension of the landscape outside.

This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.

The home includes multiple furnishings and lights designed by Wright, including this dining set and hanging pendant light.

The back of the house serves as the greatest departure from the otherwise preserved proportions of the original Victorian farmhouse. With the thoughtful insertion of a “glass dining cube” and a rehabilitated deck space with sliding doors that can stand open, an outdoor living space creates additional programmatic flexibility while reinforcing the indoor/outdoor connection.

The open living space is surrounded by large, angular pieces of glass and sits on a floor made with Colorundum in a Cherokee Red, a material and color Wright often used in his work. This space also includes a brick wood-burning fireplace.

The extension’s lower level flows uninterrupted from the garden to the kitchen. Storage units hidden under the staircase give the living spaces an uncluttered feel. A Skygarden pendant by Marcel Wanders hangs over Snow 300 dining chairs by James Richardson, providing light in those rare hours when sunlight isn’t streaming in.

The living room Ortal fireplace is clad in cold-rolled steel with a waxed finish. The side chairs, vintage reproductions from Room and Board, feature shapely walnut arms.

Modular vinyl record storage

Reminiscent of the Glass House, a monumental brick fireplace stands in the center of the living room.

When the sun is at its brightest, the east-facing glass wall is shielded by retractable Horiso venetian blinds that have been powdercoated to match the extension’s charcoal cladding.