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The window in the kitchen that overlooks the garden is intentionally free of any structure, with the small ventilation openings discretely located to the side. This ensures the view is uninterrupted and the woodlands become part of the interior.
Access into the garden is through the side of the kitchen and not the rear. This means the rear is protected for wildlife and the family do not have to go through the garden to access the BBQ and hard landscaping.
The kitchen’s Caesarstone Pure White countertop extends to the winding tread at the base of the stairs leading up to the mezzanine. Black granite covers the island.
"We needed a place to station the computer, and have one-on-one meetings with clients," explains Efrat of the new study. "However. I didn’t want to make the public space feel dark and small (by subtracting a chunk of it for a designated room). Another constraint was to have acoustic isolation, and the glass-walled room was the perfect solution for all of the above—it made the main living space feel more spacious since it enables light to pass through, yet separated it from the main living space acoustically and effectively."
A central fireplace, designed as a minimal, gray block and visible from both sides, subtly separates the living and dining zones.
Gardiner Architecture ensured that flexibility, practicality, comfort, and spaciousness were all present in Elm Street House, as well as natural connections to the oft-used backyard and the surrounding neighborhood. The kitchen units are composed of blackbutt veneer and have a matte finish; the counters are Caesarstone. A pass-through window at the sink connects to the yard and makes for easy entertaining.
The kitchen units in Elm Street House by Gardiner Architects are composed of blackbutt veneer and have a matte finish. The counters are Caesarstone.
The living room, kitchen, and dining room flow into one another. The floors are hickory. "I've never used hickory in my life as an architect," says McCuen, whose wife chose the wood for the flooring. He’s since become a convert. "It is fabulous. It works with everything, and it finishes great," he says.
The kitchen cabinets are from Multiform's Form-1 line, which was designed by Carsten Michelsen in 1982. Per the company's website, Form-1 was Michelsen's effort to "elevate the Scandinavian kitchen to the level of the Danish furniture classics of the 1950s."
The ceilings in the great room are almost 23 feet high, and "the lot provides magnificent views over the entire city of Oslo in different directions," said Taugbøl, which the firm made sure to capture with the window placement.
Front Detail of the Kitchen