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Kitchen Dishwasher Pendant Lighting Ceiling Lighting Wood Cabinets Range Drop In Sinks Design Photos and Ideas

Dumas kept a relatively simple palette when it came to the interior. Floor-to-ceiling cabinetry in the kitchen acts as an effective noise barrier.
The new kitchen/dining room is entirely open and provides views of the garden.
Whereas others might look at a board-formed cement wall in a basement and see, well, a concrete wall, Jess and Jonathan Taylor, the design duo behind the L.A.-based firm Taylor + Taylor, were inspired. The couple had purchased a virtually untouched 1952 house in east L.A. and that concrete wall became the backdrop for a new guest kitchen in the basement. "It was really the starting point of the whole design," says Jess Taylor. "As designers, our goal is to always try to incorporate the existing surroundings whenever possible, utilize them in practical ways, and be inspired by them."
In the kitchen, crisp white cabinets complement a walnut table from Space Furniture. Custom lighting from JD Lighting Tech emphasizes the verticality of the home. The dining chairs are from Industry West.
Open shelves balance out the hard-working wall of cabinetry opposite. "In a space like this, every fraction of an inch matters," says Jonathan, and making room for display and a sense of openness is also important.
The designers developed the preliminary schematic for the tile, then refined the layout on site. "We wanted to bring in six or seven different tiles that were all geometric and make it such that there's no pattern, there's no repeat. Everything is unique," says Jonathan. "Once we had the tiles, [we] laid things out and confirmed and made some adjustments. Everything is just a little different when you get it in real space."
The couple installed a window over the sink to brighten up the dark basement space. The counters are stainless steel, so as to cede nicely into the concrete wall rather than compete with it.
"The wonderful thing about this line of tile from Fireclay is that there's no order minimums," says Jonathan. Considering that the designers were dealing with such a small footprint, this meant that they didn’t have to order more tile than what was needed.
"We started to piece together this idea of a floor that's all just geometry and chaos, but that still honors the monochromatic elements of the space and highlights the bluish-gray-green tones of the original cement walls," says Jonathan.
The Nickell family, including children Dash and Arli, makes cookies in their new kitchen. "Both Shondi and Jake, being a part of Threadless, have such creative backgrounds themselves," says Suzanne. "The best part was just how seamless and easy it was to work through the colors and the palette and the materials."
A hammered copper farmhouse sink from Sinkology and copper hardware from Decorator Hardware contrast warmth against the blue and green tones of the cabinetry. The existing wood flooring was kept, just sanded and stained to match other areas of the house.
"Where the house sits, it’s sandwiched between these two structures," says Garry. This made accessing good natural light and views a challenge. A breakthrough move in the design consisted of installing windows on the north wall with glass-backed cabinets over them, thereby admitting natural light into the house, but not giving less-than-ideal views of surrounding buildings too much visual weight.
The home’s open floor plan allows for easy flow between the living room and kitchen. Tall ceilings make the property feel much larger than its actual size.
Via Media Residence by Matt Fajkus Architecture | Photo by Leonid Furmansky
Via Media Residence by Matt Fajkus Architecture | Photo by Leonid Furmansky
Via Media Residence by Matt Fajkus Architecture | Photo by Leonid Furmansky
The warm industrial kitchen celebrates views of Rocky Mountain National Park beyond. A see-through, steel fireplace becomes a glowing beacon that warms the kitchen and living room at the heart of the home.
Kitchen featuring custom sustainable joinery by The Nest, recycled brick wall with no VOC paint, and photography by Brooke Holm (represented by Modern Times)