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To reduce the budget, Hyde used cement fibre sheeting as an alternative to concrete blocks.
Pine and gravel sleepers follow the site’s natural slope, weaving through the existing pine trees until reaching the home’s entrance.
LA-based commerical director Jared Eberhardt purchase this desert property near Joshua Tree just before the COVID-19 pandemic hit. It contained a small, downtrodden house that needed a full renovation to become habitable. Over the course of the pandemic, Jared transformed it into a midcentury-inspired getaway that combines the original 1958 house with a fresh, new addition.
This thatch-roofed brick cottage in Nieby, Germany, was originally built by tenant farmers or crofters from a nearby estate in the late 1800s. It stands on a small triangular plot of land surrounded by barley fields and faces toward the Geltinger Birk nature reserve. The home’s street-facing facade was preserved and restored with only a minimal, black-steel dormer window belying the more substantial alterations which open onto the private rear yard. A subtle black-framed addition containing an oak-lined living space is tucked under the thatched roof and opens onto a sunken timber terrace while large picture windows are cut into the historic brick volume in areas which had been damaged from the previous additions.
To the front, the gardens are laid around a central lawn with a circling driveway which provides parking. There is also a garage for family cars.
Casey Brown Architecture designed the Hart House, a modern update to the one-room Australian beach shack that overlooks Great Mackerel Beach. The contemporary home mimics the shack vernacular with its simple, boxy construction that’s wrapped in a protective shell of corrugated metal.
The beach shack's corrugated metal shell is detailed with curved edges. The building faces northeast to take advantage of ample sunlight and ocean views.
Located in North Fitzroy, the 2,272-square-foot Grant House is set on a long and narrow east-facing site with shared side alley access.
"The wood exterior was selected to make the house blend in with the landscape," Troyer says. "I wanted something that didn’t require painting and aged in a way that would provide a degree of richness. " He envisioned a garden that better surrounded the home, and a more modern exterior. He used ash wood slates of various dimensions from Thermory USA, which were heat-treated for a more sustainable finish.
In the entrance, a team with the general contracting firm Martha uncovered an abstract mural that Engels painted himself and then plastered over. He also made the geometric door handle. Simon speculates that Engels sourced the marble, found all over the house, from Expo ’58, after the pavilions had been dismantled.
Villa Engels, the home of the esteemed Belgian modernist Lucien Engels (1928–2016), was falling apart when its second owners bought it in 2013. Yet due to its heritage status, any changes they planned would have to be approved by the provincial preservation office. Engels completed the elongated, cantilevered residence in 1958, the same year he finalized the master plan for Expo ’58, the Brussels World’s Fair that famously featured the Atomium.
Liddicoat and Goldhill's home in the Victoria Park conservation area sports a steeply slanted roofline.
"The main forms were wrapped in stainless steel to reflect the landscape and create a colorful, shimmering, envelope," explain the architects on their website.
The home is surrounded by extensive gardens and mature trees.
The home presents a narrow facade to the street.
The second floor, which houses Mark’s office, has aluminum-framed windows on three sides and opens to a roof deck.
Lush landscaping softens the steep driveway that leads to the garage at the base of the house.
The couple’s garden-style townhouse is one of nearly 200 units that Mies van der Rohe designed for Detroit’s middle class after World War II. Zac Cruse Construction assisted with their remodel.