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All Photos/Editor’s Picks/exterior/building type : house/siding material : brick/siding material : glass

Exterior House Brick Siding Material Glass Siding Material Design Photos and Ideas

Opposite the optical glass facade, the slant of the northern facade is the result of Tokyo urban planning requirements. A constant gradient diagonal line restriction dictated that the home’s mass recede diagonally away from the northern property line, to ensure adequate light and ventilation for the neighboring property—a policy not uncommon in lower-density residential areas of Tokyo.
Hiroshi Nakamura & NAP used 87 translucent bricks to reframe a family’s connection to nature and the city.
The bedroom is elevated around five meters above the forest floor, and the space beneath has—like the green roof—been given back to the Bushveld. “Naturally, this space is shadier than the surrounding forest, so it creates a different microclimate for different species to flourish in that area,” says architect Ant Vervoort. “It’s an area that we have cultivated.”
The view from the rear lawn towards the house. The outdoor living room is accessible from the family room (on the right) and the living room (on the left).
To the front, the gardens are laid around a central lawn with a circling driveway which provides parking. There is also a garage for family cars.
Arcadia windows and doors with bronze finishes help achieve the homeowners' goal of indoor/outdoor living.
DGN Studio renovated and extended a semidetached Victorian terrace near London Fields for clients Rebecca and Roman. The rear extension is defined by a material palette of exposed concrete and white-oiled oak, which was chosen for its durability, as well as its warm texture and grain. “We are very aware of the dialogue around the sustainability of concrete as a building material, so we were keen to make sure its use was related to a specific set of practical tasks for which it would stand the test of time,” says DGN studio cofounder Geraldine Ng.
The box-shaped extension plays off the familiar farmhouse typology, creating a series of intriguing contrasts.
The new addition opens the interiors to the garden with floor-to-ceiling windows and easy access to the yard.
Considered the finest residential example of International Style architecture in Denver, the 1951 Joshel House was in serious disrepair when Dominick Sekich and Scott Van Vleet bought it in 2013. They embarked on a major renovation to re-create the vision of the original designers, Joseph and Louise Marlow.
The Palmer House was built for William and Mary Palmer during the early 1950s, and is one of Wright's last residential masterpieces. Completely secluded and nestled against the northeast side of the beautiful Nichols Arboretum, the house is only a five minute drive (or 20 minute walk) to downtown Ann Arbor. The 2,000-square-foot home is furnished with a collection of Wright-designed furniture and even includes a teahouse. The signature Wright design complements the sylvan setting with bold triangular geometry and a cantilevered overhang.
A decorative cinder block wall edges the property and provides a sense of enclosure without hemming in the yard too tightly.
The rear view of the home.
In the entrance, a team with the general contracting firm Martha uncovered an abstract mural that Engels painted himself and then plastered over. He also made the geometric door handle. Simon speculates that Engels sourced the marble, found all over the house, from Expo ’58, after the pavilions had been dismantled.
Villa Engels, the home of the esteemed Belgian modernist Lucien Engels (1928–2016), was falling apart when its second owners bought it in 2013. Yet due to its heritage status, any changes they planned would have to be approved by the provincial preservation office. Engels completed the elongated, cantilevered residence in 1958, the same year he finalized the master plan for Expo ’58, the Brussels World’s Fair that famously featured the Atomium.
"The main forms were wrapped in stainless steel to reflect the landscape and create a colorful, shimmering, envelope," explain the architects on their website.
The home is surrounded by extensive gardens and mature trees.
Exposed steel, concrete soffits, and cement-washed bricks were been chosen as key components of the home due to the materials having low-maintenance, yet being extremely durable.
Lush landscaping softens the steep driveway that leads to the garage at the base of the house.
The couple’s garden-style townhouse is one of nearly 200 units that Mies van der Rohe designed for Detroit’s middle class after World War II. Zac Cruse Construction assisted with their remodel.