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rustic environmentally sensitive homes

"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
Cement panels painted a plum hue clad Jason Gordon’s 1,157-square-foot cabin in the Ozark Mountains. Architect German Brun and partner Lizmarie Esparza originally specified wood, but opted for the much less expensive material from James Hardie after contractor Damian Fitzpatrick recommended it. “It was an exercise in cost engineering,” Brun says.
Cement panels painted a plum hue clad Jason Gordon’s 1,157-square-foot cabin in the Ozark Mountains. Architect German Brun and partner Lizmarie Esparza originally specified wood, but opted for the much less expensive material from James Hardie after contractor Damian Fitzpatrick recommended it. “It was an exercise in cost engineering,” Brun says.
 Nasu Teepee by Hiroshi Nakamura & NAP architects; Photo courtesy of Hiroshi Nakamura & NAP
Nasu Teepee by Hiroshi Nakamura & NAP architects; Photo courtesy of Hiroshi Nakamura & NAP
At just 350 square feet, this remote cabin with a view for the Sol Duc River sits on stilts to protect it from flooding and the dampness of the northwestern rainforest. Its shutters can be operated manually by custom steel rods.
At just 350 square feet, this remote cabin with a view for the Sol Duc River sits on stilts to protect it from flooding and the dampness of the northwestern rainforest. Its shutters can be operated manually by custom steel rods.
Setsumasa and Hideaki toss on the rain fly. The solar panel in the foreground supplies daytime electricity.
Setsumasa and Hideaki toss on the rain fly. The solar panel in the foreground supplies daytime electricity.