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Collection by Karen Gearhart-Jensen

Pattern Design

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"My travels through Spain, Portugal, and Mexico combined with my love of Morocco and studies of Islamic geometric art were the inspirations behind my patterns," says Schatz. The Alcala design, shown here, is made from combinations of natural marbles just like the rest of his works.
"My travels through Spain, Portugal, and Mexico combined with my love of Morocco and studies of Islamic geometric art were the inspirations behind my patterns," says Schatz. The Alcala design, shown here, is made from combinations of natural marbles just like the rest of his works.
We featured this pattern in our makeover of a small space on The Nate Berkus Show this past October.
We featured this pattern in our makeover of a small space on The Nate Berkus Show this past October.
Textile or wallpaper design. Lindsay P. Butterfield. Watercolor and pencil. UK, 1903 (V&A: E.749-1974). From V&A Pattern Series II: Garden Florals published by V&A Publishing and Abrams Books.
Textile or wallpaper design. Lindsay P. Butterfield. Watercolor and pencil. UK, 1903 (V&A: E.749-1974). From V&A Pattern Series II: Garden Florals published by V&A Publishing and Abrams Books.
Though this colorful pattern, named Lappuliisa, was designed this year by artist Maija Louekari, we'd bet it's one that's here to stay. Louekari was inspired by her grandmother's vintage crocheted potholders.
Though this colorful pattern, named Lappuliisa, was designed this year by artist Maija Louekari, we'd bet it's one that's here to stay. Louekari was inspired by her grandmother's vintage crocheted potholders.
In 1956, Alexander Girard was commissioned by Georg Jensen to design seven table settings for an exhibition in New York. The Millers used the Carolus Magnus pattern at their house in Columbus, Indiana. The motifs in these four porcelain plates represent the Pinwheel, Patera 1, Patera 2, and Hexagon designs.
In 1956, Alexander Girard was commissioned by Georg Jensen to design seven table settings for an exhibition in New York. The Millers used the Carolus Magnus pattern at their house in Columbus, Indiana. The motifs in these four porcelain plates represent the Pinwheel, Patera 1, Patera 2, and Hexagon designs.
Doll's House, furnishing fabric. Tootal, Boradhurst, Lee & Co. Printed cotton. UK, 1930 (V&A: T.438-1934). From V&A Pattern Series II: Novelty Patterns published by V&A Publishing and Abrams Books.
Doll's House, furnishing fabric. Tootal, Boradhurst, Lee & Co. Printed cotton. UK, 1930 (V&A: T.438-1934). From V&A Pattern Series II: Novelty Patterns published by V&A Publishing and Abrams Books.
JOONAS
JOONAS
This boldly colored and patterned rug stood out from the more traditional color combinations in the show.
This boldly colored and patterned rug stood out from the more traditional color combinations in the show.
Matelot, dress fabric. Calico Printers' Association. Roller-printed cotton. UK, 1934 (V&A: T.244-1987). From V&A Pattern Series II: Novelty Patterns published by V&A Publishing and Abrams Books.
Matelot, dress fabric. Calico Printers' Association. Roller-printed cotton. UK, 1934 (V&A: T.244-1987). From V&A Pattern Series II: Novelty Patterns published by V&A Publishing and Abrams Books.
Set of two kitchen tea towels, radish pattern, by Lotta Kühlhorn, Available at fromSthlm.com
Set of two kitchen tea towels, radish pattern, by Lotta Kühlhorn, Available at fromSthlm.com
Monochromatic Cloudy pattern.
Monochromatic Cloudy pattern.
A closer look.
A closer look.
Lappuliisa Created in 2010 by designer Maija Louekari, Lappuliisa is but one of Louekari's many designs. In her other patterns, she often expresses a focus on urban and rural landscapes. "When I began an Marimekko, I knew very little about textile printing. I've learned a lot from the people at Marimekko's artwork studio over the years—especially what you can and can't do with textile print design," she says. It was when she was learning to use the technique of overlapping colors to create new shades that she developed Lappuliisa. "The design came to me after seeing old pot holders at flea markets," she recalls. "Traditional potholders can be incredibly colorful as people used leftover yarn to knit or crochet them."
Lappuliisa Created in 2010 by designer Maija Louekari, Lappuliisa is but one of Louekari's many designs. In her other patterns, she often expresses a focus on urban and rural landscapes. "When I began an Marimekko, I knew very little about textile printing. I've learned a lot from the people at Marimekko's artwork studio over the years—especially what you can and can't do with textile print design," she says. It was when she was learning to use the technique of overlapping colors to create new shades that she developed Lappuliisa. "The design came to me after seeing old pot holders at flea markets," she recalls. "Traditional potholders can be incredibly colorful as people used leftover yarn to knit or crochet them."
Ginkgo This delicate pattern was designed by Kristina Isola, daughter of Maija Isola, in 2008. Kristina learned the craft at her mother's knee, watching as Maija sketched textile patterns. "My mother taught me to be methodical and to plan my work beforehand," recalls Kristina. "I also learned that you don't have to see work as a necessary evil. It can be enjoyable." Today Kristina works her own daughter, Emma, continuing the Isola family legacy within Marimekko. The pair have recently created new colorways for Maija Isola's Mehilaispesa (which means "bee hive" in Finnish) pattern from 1961.
Ginkgo This delicate pattern was designed by Kristina Isola, daughter of Maija Isola, in 2008. Kristina learned the craft at her mother's knee, watching as Maija sketched textile patterns. "My mother taught me to be methodical and to plan my work beforehand," recalls Kristina. "I also learned that you don't have to see work as a necessary evil. It can be enjoyable." Today Kristina works her own daughter, Emma, continuing the Isola family legacy within Marimekko. The pair have recently created new colorways for Maija Isola's Mehilaispesa (which means "bee hive" in Finnish) pattern from 1961.