Open Plan

The living area is anchored by a new stair leading to the second level, which is screened by slats of the same red oak used in the flooring. The side chair was sourced and reupholstered by Seattle-based Madsen Modern.

A steel staircase connects the living room to the new second story while acting as a functional sculpture in the space. Cameron repurposed the timber paneling from another building site.

Flooded with natural light through picture and clerestory windows from the E-Series by Andersen, the open living area is where the cabin feels most like a tree house.

The 1946 Womb Chair by Eero Saarinen by Knoll was reupholstered in Knoll Boucle Orange.

Brooklyn-born painter Christopher Florentino sought a residence to house his collection of midcentury modern furniture that he’d started to amass as a teen. When he saw a Gene Leedy–designed 1963 ranch house on Instagram, he knew he’d found the perfect place. Nestled in Winter Haven, Florida, the Ellison Residence was teeming with all the elements of Florentino’s modern design fantasy including courtyards, local sandstone, glass walls, and a sense of indoor/outdoor living. He bought the house without even stepping inside. Now, it’s filled with the quintessential accents of the era including a George Nelson’s Saucer Bubble pendant, Eames furnishings including a LCW chair, Molded Fiberglass armchair, and Molded Plywood coffee table. He also maintained all original facets of the home from cabinets to door hardware down to the cork flooring; and even the palette plays to the era with primary colors and color blocking dominating the abode.

Artist Christopher Florentino says his respect for Gene Leedy drove his update of the architect’s 1963 Ellison Residence in central Florida: “Being original is important to me. I don’t want Gene Leedy to come here and be like, ‘Damn, you killed my vision.’” In the living room, George Nelson’s Saucer Bubble pendant hovers over Eames classics, like an LCW chair, a Molded Fiberglass armchair, and a Molded Plywood coffee table. Christopher found the lounge, an Eames replica, in a dumpster and couldn’t let it go to waste. A Warhol print hangs from the sandstone block wall; the Ekko mobile is by Matthew Richards.

The workshop interiors emphasize function, with polished concrete slab floors and 35-foot-high ceilings to accommodate large projects and gatherings. The disco ball, set to spin via a smartphone app, can be lowered with an industrial winch and is visible from the overhead studio suite through a peek-a-boo window.

Architect Ryan Leidner reimagined this 2,500-square-foot home in San Francisco.

Clasen kept the layout as is, and refreshed the room with coats of white paint that brightened the space and unified the overhead wood accents. Midcentury-inspired furnishings coordinate with the history.

Designer Raili Clasen forged through a challenging loan process to salvage a rundown property—saving its bocce court in the process.

Rustic meets modern in this bedroom, where white track lighting beautifully illuminates a black wall and serves as accent lighting for vintage wall art.

Though the ceiling looks spectacular, it’s really crafted from standard 2’x2’ boards from Home Depot. LED light strips enhance the impact. “When you explain the method to someone, they’re like, ‘that’s it?!’” Laughs Losada-Amor.

In turning the second level of the garage behind their duplex into a multifunctional workspace without breaking the bank, Kyle Huberty relied on friends, family, and the community at large.

The living room's two-sided transparent EcoSmart fireplace maximizes views to the home's surrounding garden.

The living room has a pavilion-like feel, featuring a grand piano, upholstered sectional, Eames lounge chair and ottoman, and Isamu Noguchi coffee table, but no visible television.

The living room has views of the veranda and kitchen through sliding glass doors.

For the living room, Caroline chose lounge chairs from Australia’s Barnaby Lane, a coffee table from Sobu, Maiden Home sofas, and a Moroccan rug from Muima.