Collection by Balázs Lakatos
The house may appear conventional at a glance, but a closer look shows how Oostenbruggen has pushed the boundaries of the traditional gabled typology. It has an asymmetrical roof, with slate shingles that extend down the eastern side to close it off completely.
Two hours north of New York City, an unusual barn emerges from a hill just off a country road. Its black siding and bright-red window frames hint at the imaginative playground inside. This space, with its rope-railed catwalk and indoor tent, is just one element of the multifaceted getaway architecture and design firm BarlisWedlick Architects designed for fund manager Ian Hague.
Architects Gerard Damiani and Debbie Battistone turned a budget buy into a condensed cabin getaway.
For Gabriel Ramirez and his partner Sarah Mason Williams, following the Sea Ranch rules—local covenants guide new designs—didn’t mean slipping into Sea Ranch clichés. The architects love Cor-Ten steel, with its ruddy and almost organic surface, and they made it the main exterior material, along with board-formed concrete and ipe wood. The Cor-Ten, which quickly turned an autumnal rust in the sea air, and the concrete, with its grain and crannies, mean the house isn’t a pristine box, Ramirez says. His Neutra house “was very crisp and clean,” he says. “This house is more distressed, more wabi-sabi.”
Tanya, Chris, Jackson, and Zeke spend much of their day outside.
Cabin Nordmarka, 2006.
Large gum trees offer a natural barrier for the house. Harkness designed the house's footprint in order to minimize the effect on tree roots. “The retained trees offer a sense of layering and age that new vegetation won’t be able to for a long time,” Harkness says.