Collection by Jill Paine
Idaho
Reilly, pictured here, deleted the original front door in order to create an expanse of uninterrupted wall in the living room. The existing slider is now the main entry point. She clad the exterior with planks marketed as a shou sugi ban product that reads as burned, knotty cedar. A new, corrugated metal roof replaced asphalt shingles.
The workshop interiors emphasize function, with polished concrete slab floors and 35-foot-high ceilings to accommodate large projects and gatherings. The disco ball, set to spin via a smartphone app, can be lowered with an industrial winch and is visible from the overhead studio suite through a peek-a-boo window.