Collection by Jordan Kushins
ICFF 2011: From the Show Floor
I'll admit, it's a little daunting stepping onto the show floor at the International Contemporary Furniture Fair (ICFF), held for a long May weekend every year at the Javits Convention Center in New York. There's a lot to see. But once you start wandering the aisles, uncovering design gems in the various booths is a blast. Here's round one of some of the things I saw that stuck with me.
San Francisco's very own Council Design had some good looking new additions to its already ample collection. Merge is a series of tables—small side (pictured), plus dining square versions—designed by One & Co. The indoor/outdoor pieces can come with a variety of base colors, as well as a dark grey glass top.
Congrats to the boys—Theo Richardson, Charles Brill, and Alexander Williams—behind New York's Rich, Brilliant, Willing. This was their first year showing at the ICFF, and the trio snagged an Editors Award for New Designer. Quart (on the left) was my favorite of their new introductions; the shade took its original form from a standard paint can. The marble base adds a nice weight and contrast to the white above. The aluminum extrusion of Channel (on the right) houses a strip of LEDs, with a hickory mast made at a factory that manufactures broomstick handles.
From the Source, a Brooklyn-based studio (with a showroom in Chelsea), collaborated with Stephen Burks to design their first collection that incorporates color in with their largely reclaimed, FSC-certified Indonesian woods. Powder-coated pop hues complimented the warm color variations on the timber.
Look closely at the subtle pattern on Åre, this thick, cozy-as-hell wool blanket by Espen Voll and Torbjørn Andersen for Norwegian brand Roros Tweed. Though the duo has been experimenting with bold color combinations, the softer shades of these single-hued coverings get a bit of visual intrigue with the shapes that emerge during the production process. The lines are woven more tightly than the rest of the fabric, and when the textile goes through a machine that tufts it up, the tufting needles (not the technical term!) can't catch the tauter weave, so it remains imprinted.
San Francisco-based designer Peter Stathis was all over the convention center, with some fantastic new lighting with Humanscale and, pictured here, Joby. Obus is an incredibly clever indoor/outdoor light. It charges when its placed on its (presumably indoor) base, but then, say, it's nighttime and you're walking out to have a beer in the backyard. When you pick Obus up, it turns into a flashlight (!). Setting it down on any flat surface will transform it back to its (dimmable) ambient glow.