Collection by Roy S Lee
In this Charles Rose Architects–designed home, the owners’ art stands as the centerpiece with gallery spaces created to adapt to a rotating collection. The residence is accessed via a private elevator that opens up to a sequence of art spaces—a strategic experience that brings visitors through the collection before introducing another visual element: views of the Mississippi River and the St. Louis’ Gateway Arch. The museum-like abode was designed for entertaining with large living and dining areas, while more intimate spaces like the library offer a quiet place to recharge.
Designed by Studio B Architecture + Interiors, this modern farmhouse in Aspen allows a couple’s art collection to shine with understated finishes and materials. Views and natural light were maximized via large spans of glass to instill a sense of airiness while the same wood used throughout the home added warmth. The minimalist interiors provide a muted canvas for their artifacts collected from travels to Africa and Indonesia, and art which includes 8-foot wooden sculptures, baskets from around the world, and Native American pieces including from R.C. Gorman.
A full penthouse floor of a Chicago high-rise with 11-foot ceilings was gutted by Wheeler Kearns Architects to make way for the vision of two life-long collectors. They wanted a space that would display their furnishings ranging from midcentury to contemporary pieces as well as an array of art and sculptures. In addition to comfortably housing the couple and their dog, the home also needed to be able to transition into an event space that could accommodate 75 people.
This rural Montana residence was designed both around the owners’ art collection as well as the sweeping landscape. Jackson Hole–based Carney Logan Burke Architects developed a modern abode knitted into the sweeping setting of the eight-acre valley property. The 9,000-square-foot home RCR Compound was developed as a series of connected buildings encircling an elevated courtyard. To meld with the settings, they used ledger-cut Montana Sandstone, clear cedar, and oxidized steel roof-and-wall paneling. Inside, wood and plaster surfaces exude warmth without competing with the art.
"The house was already modern, so revisioning it as a traditional New Orleans house would have required tearing it down," Troyer says. "The eight-foot ceiling height of a typical ranch house can not be easily changed to 11- or 12-foot ceilings, which are typical for historic housing." In the new living area, screen doors showcase the garden.
Bathed in natural light, the master bedroom is tastefully decorated. The vintage sofa has a Hable Construction Horsehair cover from HM Duke Design. The Woodrow bed in Smoke by Blu Dot is dressed in West Elm linens. The Mantis BS1 B floor lamp is from DWR, and the custom wool rug is from Driscoll Robbins.
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