Collection by Jami Smith

Dwell's Top Homes of 2013 Part Two

We've gathered twelve more innovative and striking homes to complete our second installment of Dwell's most popular homes of 2013. Don't forget to check out Part One if you missed it!

For the facade, exposed to the constant salt air, the team considered everything from copper or zinc to Kynar-coated aluminum. Eventually, a sample of titanium was tacked up for six months and showed no wear. “Part of the green philosophy is not just what is cheaper; it’s what’s sustainable,” Cranston explains. “The titanium cladding was more expensive, but this is a house we plan to be in for the rest of our lives, so we wanted something that needed virtually no maintenance.”
For the facade, exposed to the constant salt air, the team considered everything from copper or zinc to Kynar-coated aluminum. Eventually, a sample of titanium was tacked up for six months and showed no wear. “Part of the green philosophy is not just what is cheaper; it’s what’s sustainable,” Cranston explains. “The titanium cladding was more expensive, but this is a house we plan to be in for the rest of our lives, so we wanted something that needed virtually no maintenance.”
In the shadow of Denali mountain, amid Alaska’s meadows and icy streams, a former teacher and a four-time Iditarod winner calls upon Mayer Sattler-Smith to design a modernist cabin as expansive as the Last Frontier.
In the shadow of Denali mountain, amid Alaska’s meadows and icy streams, a former teacher and a four-time Iditarod winner calls upon Mayer Sattler-Smith to design a modernist cabin as expansive as the Last Frontier.
With an angled roof designed to resemble the surrounding cliffs, a house in Maui, Hawaii, is built to meld with the landscape.
With an angled roof designed to resemble the surrounding cliffs, a house in Maui, Hawaii, is built to meld with the landscape.
Mechanical engineer Jan Moolsintong and industrial designer Peter Russell-Clarke get epic views of San Francisco from their 1,800-square-foot house overlooking the Mission District. On warm nights, they eat dinner perched on Eiffel side chairs by Charles and Ray Eames around a table from Room & Board. The distinctive facade has operable porthole windows and a slatted garage door custom-built by Raimundo Ferreira.
Mechanical engineer Jan Moolsintong and industrial designer Peter Russell-Clarke get epic views of San Francisco from their 1,800-square-foot house overlooking the Mission District. On warm nights, they eat dinner perched on Eiffel side chairs by Charles and Ray Eames around a table from Room & Board. The distinctive facade has operable porthole windows and a slatted garage door custom-built by Raimundo Ferreira.
From the outside, an unassuming 1942 cottage overlooking Vancouver’s harbor is an unexpected place to find Omer Arbel, a designer known for his experimental, amorphous creations for the Canadian furniture and design company Bocci. Photo by José Mandojana.
From the outside, an unassuming 1942 cottage overlooking Vancouver’s harbor is an unexpected place to find Omer Arbel, a designer known for his experimental, amorphous creations for the Canadian furniture and design company Bocci. Photo by José Mandojana.
Morten Bo Jensen, the chief designer at Vipp—whose headquarters are located in Islands Brygge—and his partner, graphic designer Kristina May Olsen, bought a loft space in the former Viking pencil factory in 2011. They bought the loft from its previous owner, one of five investors who purchased the circa-1910 factory building, roughly a decade ago, in a very raw state.
Morten Bo Jensen, the chief designer at Vipp—whose headquarters are located in Islands Brygge—and his partner, graphic designer Kristina May Olsen, bought a loft space in the former Viking pencil factory in 2011. They bought the loft from its previous owner, one of five investors who purchased the circa-1910 factory building, roughly a decade ago, in a very raw state.
A wooden partition separates the dining room from the living room. The jacaranda table is a vintage find designed by Jorge Zalszupin for L’Atelier. The dining chairs are by the Brazilian designer Sergio Rodrigues and architect Isay Weinfeld designed the sideboard. The fluorescent lamp sculpture on the wall is Luz Natural by Eduardo Coimbra.
A wooden partition separates the dining room from the living room. The jacaranda table is a vintage find designed by Jorge Zalszupin for L’Atelier. The dining chairs are by the Brazilian designer Sergio Rodrigues and architect Isay Weinfeld designed the sideboard. The fluorescent lamp sculpture on the wall is Luz Natural by Eduardo Coimbra.
Tall and surprisingly open, the Tel Aviv Town House by Pitsou Kedem Architects continues in the tradition of its Bauhaus-inspired neighbors with a white facade and black window frames.
Tall and surprisingly open, the Tel Aviv Town House by Pitsou Kedem Architects continues in the tradition of its Bauhaus-inspired neighbors with a white facade and black window frames.
In a family’s pint-size lake retreat in Austin, Texas, ipe siding and decking meet concrete floors and steeland-glass windows. Stained cyprus was used for the ceiling and soffit. The custom barn-style sliding door conceals the family’s collection of giant inner tubes and other boating equipment. Photo by: Kimberly Davis
In a family’s pint-size lake retreat in Austin, Texas, ipe siding and decking meet concrete floors and steeland-glass windows. Stained cyprus was used for the ceiling and soffit. The custom barn-style sliding door conceals the family’s collection of giant inner tubes and other boating equipment. Photo by: Kimberly Davis
“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser
“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser
The old wood floors throughout the open-plan space are painted a dark eggplant. The vintage PP19 armchair is by Hans J. Wegner for PP Møbler. The painting above it is by Ruben Toledo, a friend of Peter Fehrentz, the resident. A trio of Tom Dixon lights hangs over the Pirkka dining table, with bench seating by Ilmari Tapiovaara for Artek. The Berber rug is from Morocco, purchased from the Paris shop Caravane.
The old wood floors throughout the open-plan space are painted a dark eggplant. The vintage PP19 armchair is by Hans J. Wegner for PP Møbler. The painting above it is by Ruben Toledo, a friend of Peter Fehrentz, the resident. A trio of Tom Dixon lights hangs over the Pirkka dining table, with bench seating by Ilmari Tapiovaara for Artek. The Berber rug is from Morocco, purchased from the Paris shop Caravane.