Collection by Bruce Fratezi
Siegal sits at a table made by Granada Millwork. The chairs are from West Elm and the pendants are from Patrick Braden.
Siegal sits at a table made by Granada Millwork. The chairs are from West Elm and the pendants are from Patrick Braden.
 The main level of the Franklin Mountain House is built with volcanic rock basalt and granite from the region.
The main level of the Franklin Mountain House is built with volcanic rock basalt and granite from the region.
The interior marble flooring and exterior granite surfacing blend well to complement the spare white modules. Both materials were chosen with climate in mind: granite because it both absorbs less heat and is easy to clean, marble because it cools down the interior.
The interior marble flooring and exterior granite surfacing blend well to complement the spare white modules. Both materials were chosen with climate in mind: granite because it both absorbs less heat and is easy to clean, marble because it cools down the interior.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
Black-rimmed steel clerestory windows add illumination in this diminutive white kitchen where black accents abound. A black Aggregato Saliscendi Suspension light, designed by Enzo Mari and Giancarlo Fassina for Artemide, accents against the white Calacatta marble countertops and MAP's oak Milky Stools.
Black-rimmed steel clerestory windows add illumination in this diminutive white kitchen where black accents abound. A black Aggregato Saliscendi Suspension light, designed by Enzo Mari and Giancarlo Fassina for Artemide, accents against the white Calacatta marble countertops and MAP's oak Milky Stools.
This 3,200-square-foot structure was assembled with a prefabricated foundation, concrete panel siding, and efficient built-ins, minimizing construction debris and toxins—such as concrete foundation tar—on the site.
This 3,200-square-foot structure was assembled with a prefabricated foundation, concrete panel siding, and efficient built-ins, minimizing construction debris and toxins—such as concrete foundation tar—on the site.
The home, clad in natural Australian timber, enjoys a sense of lightness thanks to slender columns that let it float over the dunes. The driveway and entry, at the rear of the building, have an understated design to build to the interior's magnificent ocean views. Firm director Phil Snowdon explains, “By creating an architectural form that draws your eye and leads you up the steep driveway, we could engage new visitors in a welcoming process that first reveals the object and then slowly reveals the main event, being the view."
The home, clad in natural Australian timber, enjoys a sense of lightness thanks to slender columns that let it float over the dunes. The driveway and entry, at the rear of the building, have an understated design to build to the interior's magnificent ocean views. Firm director Phil Snowdon explains, “By creating an architectural form that draws your eye and leads you up the steep driveway, we could engage new visitors in a welcoming process that first reveals the object and then slowly reveals the main event, being the view."
Jim Olson's #cabin at Longbranch Washington #olsonkundig
Jim Olson's #cabin at Longbranch Washington #olsonkundig
POD-Idladla, Prefabricated, Modular Nano-home
POD-Idladla, Prefabricated, Modular Nano-home
Girodo describes LEAPfactory’s architecture as being “molded according to the needs and stresses imposed by context.” In this setting, strong winds and snow loads are serious concerns. The shell’s composite sandwich panels and aluminum shingles ensure that the school can withstand the elements.
Girodo describes LEAPfactory’s architecture as being “molded according to the needs and stresses imposed by context.” In this setting, strong winds and snow loads are serious concerns. The shell’s composite sandwich panels and aluminum shingles ensure that the school can withstand the elements.
The cabins are made up of two layers of wood construction. The exterior layer is made of Larch wood with a custom glazing.
The cabins are made up of two layers of wood construction. The exterior layer is made of Larch wood with a custom glazing.
A tiny outbuilding offers a cozy living space inside a simple shell.
A tiny outbuilding offers a cozy living space inside a simple shell.

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