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Set on an urban in-fill lot at the edge of a terrace escarpment overlooking protected wetlands and a wild river, the Courtyard House weaves between natural and urban contexts.
Set on an urban in-fill lot at the edge of a terrace escarpment overlooking protected wetlands and a wild river, the Courtyard House weaves between natural and urban contexts.
Early evening front yard street view
Early evening front yard street view
Pictured is Dual House 1, part of a duplex designed for two families of close friends.
Pictured is Dual House 1, part of a duplex designed for two families of close friends.
Modern On The Marsh
Modern On The Marsh
The Kingston house remains unobtrusive and well camouflaged on its hillside site despite the architects’ use of modernist geometry. The outer cladding is simply plywood stained with dark Madison oil.
The Kingston house remains unobtrusive and well camouflaged on its hillside site despite the architects’ use of modernist geometry. The outer cladding is simply plywood stained with dark Madison oil.
Surrounded by a canopy of trees, the house is bordered by a deep overhang that matches the width of the concrete terrace. “What I like is that the decks and the courtyard are visually part of the house, but they’re outdoor spaces,” says Ted. Heid worked with Curtis Bosworth and John Weed of WBS Construction on the project.
Surrounded by a canopy of trees, the house is bordered by a deep overhang that matches the width of the concrete terrace. “What I like is that the decks and the courtyard are visually part of the house, but they’re outdoor spaces,” says Ted. Heid worked with Curtis Bosworth and John Weed of WBS Construction on the project.
“Durability drove the selection of metal panels,” Schaer says of the home’s industrial exterior. Manufactured by AEP SPAN from corrugated cladding, it looks like zinc but costs significantly less. It also contrasts nicely with the natural siding and trim. “All of the wood inside and out is Douglas Fir, the predominant wood species in the northwest,” Schaer explains.
“Durability drove the selection of metal panels,” Schaer says of the home’s industrial exterior. Manufactured by AEP SPAN from corrugated cladding, it looks like zinc but costs significantly less. It also contrasts nicely with the natural siding and trim. “All of the wood inside and out is Douglas Fir, the predominant wood species in the northwest,” Schaer explains.
Architect Mary Ann Schicketanz transformed the old entryway into a private courtyard, replacing the door and window with a sleek glass slider. She removed the fiberglass panels and constructed a reclaimed wood barrier to separate the sitting area from the new front door on the opposite side. A high concrete wall also encloses it. “I love that you can be right on the street without having any sense the street is there,” Schicketanz says.
Architect Mary Ann Schicketanz transformed the old entryway into a private courtyard, replacing the door and window with a sleek glass slider. She removed the fiberglass panels and constructed a reclaimed wood barrier to separate the sitting area from the new front door on the opposite side. A high concrete wall also encloses it. “I love that you can be right on the street without having any sense the street is there,” Schicketanz says.
“The house is a piece of origami made out of triangular shapes, which we then draped over the landscape,” says Arbel.
“The house is a piece of origami made out of triangular shapes, which we then draped over the landscape,” says Arbel.
Once immortalized by master architectural photographer Julius Shulman and currently being considered as a historic landmark in Los Angeles County, this four-bedroom, two-bath residence was built in 1954 by builder and craftsman Ken McLeod to be his personal home. In 1964 architect Rufus Turner restored the rear after a fire damaged the living room.
Once immortalized by master architectural photographer Julius Shulman and currently being considered as a historic landmark in Los Angeles County, this four-bedroom, two-bath residence was built in 1954 by builder and craftsman Ken McLeod to be his personal home. In 1964 architect Rufus Turner restored the rear after a fire damaged the living room.
Architect Tom Kundig’s assignment was simple enough: Build a tiny, Thoreau-like getaway for an Atlanta-based writer who owned ten acres on San Juan Island in Puget Sound. "The idea was not to clutter anybody’s thinking, especially a writer’s," he said. So he designed a 500-square-foot retreat that’s both womblike and open to its surroundings.
Architect Tom Kundig’s assignment was simple enough: Build a tiny, Thoreau-like getaway for an Atlanta-based writer who owned ten acres on San Juan Island in Puget Sound. "The idea was not to clutter anybody’s thinking, especially a writer’s," he said. So he designed a 500-square-foot retreat that’s both womblike and open to its surroundings.
Leo Marmol and Alisa Becket enjoy one of their home’s many outdoor spaces.
Leo Marmol and Alisa Becket enjoy one of their home’s many outdoor spaces.
Dotted by potted plants and lined with a simple iron gate, Casa Tuscania’s back patio aims to exist harmoniously with the wild environment just beyond.
Dotted by potted plants and lined with a simple iron gate, Casa Tuscania’s back patio aims to exist harmoniously with the wild environment just beyond.

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