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Collection by namchok kamvan

BlueandBrown

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Taking cues from the warmth of the setting sun, Brooklyn-based Workstead’s renovated a 1,800-square-foot Tribeca loft in an 1864 factory building. A timber palette and custom woodwork achieve a cozy feel throughout, and the architects tore out awkward interior partitions and dated finishes and exposed the building’s original fir joists to restore the loft’s open and airy feel. Oversized windows, a light color palette, and a minimalist design approach help pull natural light deep into the home while simultaneously directing views out toward the Hudson River.
Taking cues from the warmth of the setting sun, Brooklyn-based Workstead’s renovated a 1,800-square-foot Tribeca loft in an 1864 factory building. A timber palette and custom woodwork achieve a cozy feel throughout, and the architects tore out awkward interior partitions and dated finishes and exposed the building’s original fir joists to restore the loft’s open and airy feel. Oversized windows, a light color palette, and a minimalist design approach help pull natural light deep into the home while simultaneously directing views out toward the Hudson River.
A custom white oak sliding door fabricated by Markus Bartenschlager opens to a guest room with a Bilge lounge chair by Uhuru.
A custom white oak sliding door fabricated by Markus Bartenschlager opens to a guest room with a Bilge lounge chair by Uhuru.
A red gym locker, repurposed as storage, is a whimsical touch in the bedroom.
A red gym locker, repurposed as storage, is a whimsical touch in the bedroom.
A pair of LC2 chairs by Le Corbusier are ideal spots for watching the river down below. The Womb chair by Eero Saarinen is a close second.
A pair of LC2 chairs by Le Corbusier are ideal spots for watching the river down below. The Womb chair by Eero Saarinen is a close second.
Cohen and his wife, Sally, sit in the dining room, which along with the connected living room, is a focal point of the house, lighted in part by high, remote-controlled clerestory windows.
Cohen and his wife, Sally, sit in the dining room, which along with the connected living room, is a focal point of the house, lighted in part by high, remote-controlled clerestory windows.