Refinishing Alvar Aalto's Finnish Pavilion

Originally prefabricated in Finland and shipped for assembly to the Giardini—the gardens where the Biennale takes place—the lightweight wood-frame-and-panel structure was a built to capture light from above and bounce it indirectly onto the interior walls. Aalto designed the structure to be dismantled, stored, and reassembled as needed between exhibitions, or on other sites. According to the story, several of the parts were missing upon arrival and therefore the panels were fixed in place during its initial construction. As Aalto’s only building in Italy, this ephemeral structure became permanent and was regarded as a national treasure.

Here's the Giardini tree that fell on top of the pavilion in 2011. Photo by Ross Hamilton.

The structure was stripped down to the original wood surface, including the diagonal paneling that has previously always been covered with white fabric, revealing a trace of the building’s structural integrity and construction process. Photo by Gianni Talamini.

All of the panels that make up the enclosure were removed and painstakingly repaired. At the conclusion of the restoration project, the panels were made from a combination of the original wood from 1956 and new wood from 2012. Together, the materials create a beautiful new texture that reveals the processes of both the original building and its reinvented self. Photo by Gianni Talamini.

The exterior wall panels were carefully separated from the primary structure. Photo by Gianni Talamini.

Talamini paid attention to the subtlest details. The panels were sanded by hand, the roof structure was stripped of its paint, and the plywood roof panels were sandblasted, leaving the entire interior stripped bare of finish, revealing the natural raw wood. Photo by Gianni Talamini.

A view of the finished ceiling. Photo by Gianni Talamini.

The floor of the building was polished to reveal the natural aggregate of the concrete. To indicate the line where fabric previously covered the natural wood paneling, Talamini used a light whitewash to ever so slightly change the color of the wood. Photo by Gianni Talamini.

This view of ceiling reveals the varying wood textures. Photo by Gianni Talamini.

The finished effect is like being inside of an instrument, where light is allowed to play off of the varying ages of wood. The pavilion has an entirely new life, yet remains honest to Aalto’s original construction. Photo by Patricia Parinejad.

The ten-week-long renovation wrapped up just before the Biennale’s opening on August 29. Aalto’s hand is still very much present in the restored building. Photo by Patricia Parinejad.