New Furniture from Egg Collective
After graduating in 2006, they disbanded to pursue different professional interests but kept in contact. During the interim period between finishing school and opening Egg, the women each honed different, and complementary, skills: Beamer worked for a series of fine furniture makers, Ellis went to RISD to earn her MFA in sculpture, and Petrie honed her eye for detail by working for a custom millwork and fabrication studio. "We each have different skills, but work together now and compliment each other nicely," says Petrie.
"We became more educated. You get older and see more things and you realize what you're passionate about," says Ellis about the hiatus. "When we first began to make furniture we were looking at Droog and designs that were a bit tongue-in-cheek conceptually," says Ellis. "Now we're interested in making a piece of furniture you want to hold onto rather that creating something that just makes you smile when you look at it."
"Three minds and a pad of paper" is how Ellis says Egg Collective begins to design an object. "There's a lot of sketching, drawing, and re-drawing. From the initial brainstorm we then break off into our individual roles: Hillary is the face of Egg calling subcontractors and keeping us moving forward, Stephanie is the head of production and fabrication, and I am head of creative development."
The Oscar table ($12,000) shown here is made from two of Egg's signature materials: travertine and brass. It also comes in a nickel– or copper-plated base and custom materials for the top are available. At Egg's ICFF booth, the table had a stunning breccia marble surface.
This brass credenza ($7,600) is one of the collective's first pieces. The warm metal has seen a surge in popularity, especially this year as designers experimented with ways to make modern design feel fresh.
"We looked at a lot of modernism and a lot of postmodernism during our education. Our teachers armed us with the ability to design clean, simple, functional objects and we still intend to do so; however, like previous generations of designers, we are beginning to find our own voice for our own time," says Ellis.
"We think that there are many styles appropriate for this current moment in time, not just ours. But, like many other designers, we are currently very interested in exploring how contemporary design can still feel warm, feel like it was made—not manufactured—and feel like something that is worth keeping," says Ellis.
The 12-sided Haynes mirror ($2,800) slips into solid brass or nickel-plated brass brackets. "Many of our designs are made with materials that will patina over time," says Ellis. "For example we intentionally don't laquer our brass pieces so that they will age as they are used. We think this speaks to the lifespan of our objects."
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