Nathan Vincent

What was the first piece of art you ever made?

I took a pastels class when I was really young—eight years old or so—and I kept the first drawing; it's framed, hanging in my kitchen. It's a still life of a kettle with some fruit. I have to say that it's pretty darn good. I can't remember, though, if I did most of the drawing or if my hand was guided by the teacher. Let's just say it was all me. That's a better story. Thinking back on it now, I can't believe my parents put me in a pastels class. When I went off to college, my mother told me I shouldn't go into art because "you can't do anything with it." Strange that she was the one that sent me to art classes when I was a kid!

Who taught you to sew?

My home economics teacher taught the whole 5th grade class to sew. We made tote bags long before tote bags were popular. Mine was made of a purple plaid cotton. Very practical, yet sassy. The rest of it, embroidery and hand sewing, I taught myself from a book.

When did you learn to crochet?

My mother taught me when I was about ten. I forced her to sit me down and show me how to make granny squares. I remember my first stitches being so tight that the hook squeaked as I was crocheting. Tension was the hardest thing to learn. I imagine I was taking out my childhood anxieties on the yarn. Once I learned to loosen up a bit, I made granny squares like no one's business. I had great plans to make a multicolored afghan, a coat-of-many-colors-type of design. I got bored halfway through and decided it should be a baby blanket. I completed them, but never sewed them together. It would have been atrocious anyway—I didn't necessarily have an eye for color at age ten. What has been the most challenging piece to create?

Whatever I'm working on at the moment always seems to be the most challenging. I forget that the last piece was just as difficult as the one I'm working on now. If I were to pick a piece, it would be the Lion (above). Piecing together the face required more intricacy than I had expected, getting the differing colors of yarn to work together in a cohesive way. The mane proved to be the most baffling part of any project to date. It took me quite a long time to figure out how to make it stand on its own. I tried crocheting with wire and yarn together, wrapping the base of each strand, braiding...everything I could think of. The final solution was to just pack in the strands of yarn and let them hold each other up. The mane is done with the same technique as a latch-hook rug, but with about six strands in each hole. A bit time consuming, to say the least.

You crochet masculine images and objects using the feminine technique of crochet. Do you work in other mediums?I have embroidered and knit in the past. My upcoming exhibition will include some knitting as well, if it all works out correctly. I also draw for a side project and was trained as a painter in school. But, for the most part, my main medium at the moment is yarn and a hook, which makes projects pretty portable and easy to work on in public.

I was actually just chatting with some employees at the Jonathan Adler store on the Upper West Side in Manhattan (they are a fabulous bunch, just so you know) while I made a purchase. We began to talk about what I do, and they asked to see my work. I showed them my website, and through that I got a meeting with the merchandise buyer. The Jonathan Adler collection has a similar look and feel to it, so my work will fit in perfectly. Apparently they like to work with and support local artists, which is fantastic. I'll be doing some limited-edition framed doilies for them. They'll be available in stores as soon as I can finish them! (You can sign up for my email updates and I'll send out an email when they are for sale) You're working on a locker room installation, all crocheted. That sounds daunting. Are you nervous about the undertaking?