Rabbi Naftali Bier, who heads the Kollel, aimed to create a relaxing atmosphere regardless if the person visiting the synagogue was a member of their community or a complete stranger.
Using light and color, architects Miriam Tropp Spear and Sharon Jacobson, and Framingham-based builder L/R Construction achieved a very balanced, bright, and inviting atmosphere throughout the structure. "Everyone remarks on how the space feels so much larger than it actually is," says Rabbi Bier.
The trapezoidal site itself posed some challenges, as did the fact that it was located in a historic district. The Kollel worked closely with the Aberdeen Historical Society to ensure that the structure would weave into the neighborhood fabric rather than stick out like a sore thumb.
They settled on a minimalist golden brick facade, whose color and material were the same as the existing structure on the site. As a result, the new building is in sync with the surrounding 1920's Classical Revival structures without being a throwback to the style. The rear, though, takes more liberties, such as the triangular window bays that jut from the main mass.
Time and again, we are confronted with the issue of what makes "good" architecture. Though not avant-garde, it is a respectful neighbor, provides for the needs of its users, keeps them happy, was completed under-budget, and--above all--is a completely functional space. How many buildings can say that?
A New York-based writer, Diana studied art history and environmental policy at UC Davis. Before rising to Senior Editor at Dwell—where she helped craft product coverage, features, and more—Diana worked in the Architecture and Design departments at MoMA and the San Francisco Museum of Modern Art. She counts finishing a 5K as one of her greatest accomplishments, gets excited about any travel involving trains, and her favorite magazine section is Rewind. Learn more about Diana at: http://dianabudds.com