Contemporary works of art—paintings, sculptures, photography, textiles, and multimedia works—populate the pages of Dwell, as art is just as important to many people's lives as well-crafted chairs and tables. But one table has turned, so to speak. Pages of Dwell now populate works of contemporary art.
Brooklyn-based artist Dustin Yellin produces three-dimensional collages made of photographic images excised from magazines, then strategically arranged and encased in layers of thick glass, resulting in picture-rich constellations frozen within transparent forms. When I visited Yellin's studio recently, I noticed a three-person team, who work exclusively in "the cutting room," taking their X-Acto knifes to several issues of Dwell stacked all around them.
"Dwell, oh yeah. That's a great magazine," Yellin told me, when I noted his sources. He then took me around back, to the wood shop, where these sandwiched-glass forms, some as large as twelve tons, are crated for shipment around the world. This one is "Dwell heavy," he quipped, pointing to "City VIII", a piece consisting of a tornado-like array of architectural structures such as ascending stairs, long wood panelling, and glass wall facades, thrusting in every direction.
Yellin is also the founder of Pioneer Works, a non-profit institute in Red Hook, still being fabricated within a Civil War-era warehouse dedicated to art and innovation of all kinds (a science lab on the third floor sits next to an artist studio, which is adjacent to his likewise-massive studio). He is one ambitious artist, for sure. And now, it seems, an interior architect.
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