Before graduating from Cranbrook with a degree in 3-D Design, Plumstead was painter. An architect frequently visited his gallery shows, noted that he had an architectural logic in his works, and suggested he change fields. That idea piqued Plumstead's interest. Since he had no background in building, he decided "it was probably good to try and learn how to put things together" and enrolled at the Minneapolis College of Art and Design. "At that point, I was hooked and scrapped architecture and stuck with furniture." He then went on to earn a BFA in furniture design from MCAD.
"My focus is on looking at human behavior in a home or office and finding ways to make those areas more harmonious and activities more mindful," says Plumstead about his creative process. "I start by looking at an underutilized space and finding out how can I make it better for a person."
With Integrated Workstation, Plumstead took another look at office furniture. "It's an interesting time for the typology since politics have changed," he says noting that in the past, the main objective of offices was to fit as many people in as possible. Now, offices are trying to show that they value the well-being and comfort of their employees, especially since the traditional 9:00 a.m. to 5:00 p.m. workday isn't the norm for a growing number of people. "What's the strongest political statement that you can make?" he posits. "Introducing a place where you can put your feet up."
Though Plumstead is hard at work getting his studio up and running and Clip Tree into production, he found the time to answer our questionnaire:
Ideal working environment: A rehabilitated warehouse space within an easy bike ride of my house. Lots of desk space, books, prototypes, and natural light.
Lucky break: Being selected for the ICFF Studio Award this year really helped to put the career wheels in motion for me right out of graduate school.
Dream commission: Being asked to design an office system or maybe a limited-edition object with no budget constraints.
Hero: Achille Castiglioni, Dieter Rams
Annoying buzzword: Honest (as in "made of honest materials")
Best compliment: Nice Shoes
Currently reading: The Hobbit—I first read it when I was ten and decided now would be the time to re-read it before the movies have their way with it.
Last film watched: I have to sheepishly admit it was The Avengers... It's not my fault; I collected comic books when I was a kid! That's how they get you!
Most recent playlist: I am hooked on Coexist by The xx, Beams by Matthew Dear, and The Haunted Man by Bat for Lashes.
The house is on fire, the first thing you grab is: An original Eames leg splint
Your eureka moment: For my first furniture design class, I made a contact lens case out of steel, cork, and beeswax (it was functional, really!). I knew then that this was the path to artistic and intellectual fulfillment.
Best advice: Not sure if it is the best but it is the most recent: "Jump off of the cliff and build the plane on the way down."
Worst-ever idea: Too hard to crown just one as the winner
When not designing: I'm explaining how and why everything works the way it does to my two-and-a-half-year-old daughter, Clara.
The best seat in the house: I have a pair of vintage Scandia chairs by Hans Brattrud that are awesome. They are so elegant and smart.
Wish you had: My own 3-D printer
Looking forward to: Going for a run with my daughter
A New York-based writer, Diana studied art history and environmental policy at UC Davis. Before rising to Senior Editor at Dwell—where she helped craft product coverage, features, and more—Diana worked in the Architecture and Design departments at MoMA and the San Francisco Museum of Modern Art. She counts finishing a 5K as one of her greatest accomplishments, gets excited about any travel involving trains, and her favorite magazine section is Rewind. Learn more about Diana at: http://dianabudds.com