David Chipperfield's Arthur Rosenblatt Memorial Lecture

David Chipperfield's Arthur Rosenblatt Memorial Lecture

On 10.17.16, a mixed crowd of nearly 300 architects, students and enthusiasts packed the Center for Architecture to hear one of the industry’s contemporary greats: David Chipperfield, CBE, RA, RDI, RIBA, and principal of London-based David Chipperfield Architects. On the occasion of the 10th annual Arthur Rosenblatt Memorial Lecture, Chipperfield’s discussion overviewed his pioneering work with museums and his thoughts on the evolving purposes and demands of these institutions.

"A museum is just a box full of paintings, but it’s also something else," Chipperfield remarked. 

Museo Jumex, Mexico City. Copyright: Simon Menges.

 That "something else" is an issue his work addresses again and again in a variety of site-specific iterations, but ultimately it boils down to a simple existential question: What is the purpose of a museum? 

 Chipperfield began with a review of noteworthy predecessors, although he paid the greatest attention to Schinkle’s Altes Museum. He argued that this museum was the first real attempt at making a truly civic building, as its airy, yet grand colonnade entrance presented an idea of removing the barrier between the public and the art within the museum. 

 "Museums are clumsy," Chipperfield said. "They have to both protect their works and make them public. To that end, they must be static and dynamic simultaneously." 

Neues Museum, Museum Island, Berlin, Germany. Copyright: SMB/Ute Zscharnt for David Chipperfield Architects.

 That compromise between timelessness and vitality is one Chipperfield has thoroughly mastered. His renovation of Berlin’s Neues Museum and his continuing work on Museum Island are the most obvious examples of this. These projects exemplify the demands on a museum to both contextualize the past and provide a forum for thinking about the future. 

Museum Folkwang, Essen, Germany. Copyright: Christian Richters.

 Chipperfield also noted that people now see the museum as a destination in and of itself. This is thanks in part to Frank Gehry’s sensational Guggenheim Museum Bilbao, but also to the general rise in standard of living and resulting leisure time for larger populations. The museum must now function as a home for all art forms and accommodate a much larger number of visitors. He highlighted his Museum Folkwang in Essen and Museo Jumex in Mexico City as examples of work that meets these criteria with inventive style and grace.

Museum Folkwang, Essen, Germany. Copyright: Ute Zscharnt for David Chipperfield Architects.

Ultimately, for Chipperfield, the purpose of a museum is reflective. "Civilization is driven by a need to prove itself," he said. 

 As we continue into the future at breakneck speed, these repositories of the past are more necessary than ever. Thankfully we have David Chipperfield to carry on and evolve their majestic and beautiful forms.  

Museo Jumex, Mexico City. Copyright: Simon Menges. 

Museo Jumex, Mexico City. Copyright: Moritz Bernoully courtesy of Fundación JumexArte Contemporáneo.



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