On his website, Jordan states that the piece "depicts 2.4 million pieces of plastic, equal to the estimated number of pounds of plastic pollution that enter the world's oceans every hour." Jordan collected all of the garbage for Gyre from the Pacific Ocean. This work is part of a series called "Running the Numbers II," the second phase of an evolving collection of art made from the detritus of consumer culture.
"Finding meaning in global mass phenomena can be difficult," says Jordan, "because the phenomena themselves are invisible, spread across the earth in millions of separate places. There is no Mount Everest of waste that we can make a pilgrimage to and behold the sobering aggregate of our discarded stuff, seeing and feeling it viscerally with our senses."
Of course there are an increasing number of massive waste accumulations that amount to inadvertant landmarks, such as the Texas-size island of garbage floating in the Pacific (for which green adventurer David de Rothschild will soon set sail). Fittingly, Jordan's new work focuses on damage to marine ecosystems, referencing the fantastic plastic catastrophe developing in far-off waters; but previous projects also looked at electronic waste and the aftermath of natural disasters (his exhibition and book In Katrina's Wake explored post-Katrina New Orleans through photos). Check out a sequential zoom into the details of Gyre below, and see more here.[via: @sciencescout]
When not working in design, Sarah Rich writes, talks and forecasts about food and consumer culture.
We’re inviting you to join us to create a place where we can inspire and share with each other every day, collaborate on collections, projects and stories, ask questions, discuss and debate ideas.