That magic included adding new furnishings (most from Commune artisans), a kitchen redo that introduced Heath Ceramics tile and new appliances, built-in daybeds in the living room that double as overnight beds for when Howard’s two children visit, and custom, ocean-blue paint on the ceiling ("with the recessed lighting and white paint, it looked too much like an apartment," says Johanknecht). "We wanted it to still look like a trailer—we didn’t want to pretend it was a house or a McMansion," says Howard. "It reminds me of northern California meets southern California," adds Johanknecht. "It’s like the anti-Hamptons."
Howard spends so much summer and weekend time at the trailer, she's looking to sell and upgrade to a larger model in the park to better accommodate her family and friends. But as she revels in the space, constantly trading out one of her photographers' shots for another on the walls, one gets the idea it’s also the process she finds rewarding. "It would be fun to do again," she says.
Erika Heet has been working in publishing for more than 20 years, including years spent as a senior editor at Architectural Digest and Robb Report. She has written for Architectural Digest, Robb Report, Interiors, Bon Appétit, Sierra Magazine, and The Berkeley Fiction Review. She recently wrote the foreword to New Tropical Classics: Hawaiian Homes by Shay Zak. She lives in a Topanga cabin with her artist husband and two children.
We’re inviting you to join us to create a place where we can inspire and share with each other every day, collaborate on collections, projects and stories, ask questions, discuss and debate ideas.