Capturing the complexities and emotions of tragic events represents an incredible challenge for designers and architects. Based on the initial feedback for Swedish artist Jonas Dahlberg’s proposal for the July 22nd Memorial in Norway, it appears that he’s struck the right chord of commemoration and catharsis with his stunning yet simple concept, a literal cut slicing through the soil, symbolizing something which can never be recovered.
It’s been reported that nearly one in four Norwegians knew someone affected by the 2011 Otoya massacre, when extremist Anders Behring Breivik set off a bomb in Oslo and shot and killed nearly 70 people, mostly teenagers, at a youth retreat on the island 45 minutes west of Oslo. Dahlberg’s design, “Memory Wound,” the unanimous winner of the government-sponsored design contest, features an 11-foot chasm (the excavated soil will be used to create another memorial in Oslo). His poignant design recalled the work of other designers, who grappled with the incredible challenge of creating a physical representation of loss.
During the course of his career writing about music and design, Patrick Sisson has made Stefan Sagmeister late for a date and was scolded by Gil Scott-Heron for asking too many questions. His work has appeared in Pitchfork, Nothing Major, Wax Poetics, Stop Smiling and Chicago Magazine.
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