To make the two-bedroom, one-and-a-half-bath dwelling look and feel as large as possible, Sundius and Ichiki maintained sightlines from one end to the other. "We didn’t want to disrupt the flow of the stepped ceiling as it runs the length of the building,
To make the two-bedroom, one-and-a-half-bath dwelling look and feel as large as possible, Sundius and Ichiki maintained sightlines from one end to the other. "We didn’t want to disrupt the flow of the stepped ceiling as it runs the length of the building,
Building the addition upward instead of outward allowed for more space and better views without excavating across the hilltop.
Building the addition upward instead of outward allowed for more space and better views without excavating across the hilltop.
The series of pitched white buildings was inspired by the work of architect Hugh Newell Jacobsen. “The shell of the house is a very simple form,” says Matthew Ford, “no turns or intersecting roof sections. This allowed me to use solid but inexpensive framing and roofing crews. We are always looking for the point where simplicity and luxury meet.”
The series of pitched white buildings was inspired by the work of architect Hugh Newell Jacobsen. “The shell of the house is a very simple form,” says Matthew Ford, “no turns or intersecting roof sections. This allowed me to use solid but inexpensive framing and roofing crews. We are always looking for the point where simplicity and luxury meet.”