The green kitchen backsplash pops amidst the home’s predominantly neutral palette.
The home office is a showcase for an electric blue Warren Platener lounge chair from Hive Modern, paired with a vintage Vladimir Kagan Serpentine Cloud sofa. The painting is by Michelle Betancourt.
The firm also created a bespoke bar for easy entertaining.
In the richly hued living room, a Milo Baughman coffee table with a chrome base and custom marble top pairs with Milo Baughman barrel chairs that have been reupholstered in a saturated blue fabric. A custom velvet sofa adds another textured layer. A custom light fixture with crystal bulbs from The Future Perfect hangs like jewelry above the space, and a geometric painting by senior JHID designer Chelsie Lee ties the colors together.
The addition of the antiqued mirrored panels amplifies natural light that the living room receives from the adjacent sunroom.
The kitchen was expanded with a pantry and a custom-made breakfast nook complete with a leather upholstered banquette and a bookshelf. The sculptural lighting is the Agnes 6-Light Chandelier for Roll & Hill.
Without its former bulky, outdated cabinetry, the new kitchen feels much more spacious. Additional windows and a light color palette creates a breezy feel. The custom-made kitchen island was crafted from Oregon white oak with a Pyrolave (enameled lava stone) countertop. The Balls suspension light is by Parachina. JHID also seamlessly added a period-appropriate, pressed-tin ceiling that looks original to the home.
One of the standout moments in the space is the cast concrete fireplace, which is considered to be one of Wright’s greatest two-dimensional works of art. Depicting an abstract landscape, the detail is spectacular, yet leaves much to the imagination while incorporating a bit of the hollyhock flower. Wright completed the fireplace with a skylight above and a moat in front that was designed to hold a pool of water. This was originally part of an elaborate water scheme to run throughout the property, though it was never completed. Regardless, the fireplace thus incorporated the four elements of nature: light, earth, fire, and water—making it a brilliant vision, even if it never ended up the way it was fully imagined.
The thoughtful repetition of the hollyhock motif was quite astonishing and couldn’t be ignored wherever we went. Even the rug, which was also designed by Wright, featured the motif with a range of bright colors. The original rug (this is a reproduction) was built as one large piece that covered the living room and the extended spaces surrounding it. The fact that there was no seams and that it was laid in one piece made it a work of art on its own.
With the approval from Barnsdall, Wright incorporated Japanese influences throughout, including a set of authentic 18th-century Japanese screens. However, since the originals were stolen during the house’s dark years, the ones seen here are reproductions.
Hollyhock House is the first house of Wright’s second period and his first residence in Southern California. Named for Barnsdall’s favorite flower, the Hollyhock is incorporated throughout the design scheme of the residence.
The recently completed restoration is an important historical revelation for first-time visitors and regulars alike. Visitors will be able to see and experience the house in much of its original splendor. Floors, windows, doors, decorative molding, and long-forgotten paint colors have been re-created with utmost attention to detail and original intent. The latest phase of renovation took place from 2008 though 2014, with a total of $4,359,000 spent on conservation efforts. Hollyhock House is operated by the City of Los Angeles Department of Cultural Affairs (DCA).
After it reopens on February 13, 2015, Hollyhock House will feature self-guided “Walk Wright In” tours on Thursdays through Sundays from 11:00 a.m. to 4:00 p.m. for a fee of $7 for adults, $3 for students and seniors with identification, and $3 for children under 12 when accompanied by a paying adult. Special arrangements may be made for docent-led tours, group tours, guided tours, and other engagements by calling 323.913.4031. Click here for more information on the tours.
Hollyhock House, view looking southeast in living room, with garden court (at left) beyond.
Hanging bookshelves in the writing nook add another element of warmth to Julie's special place.
Nashville resident Kelli Hix added a 500-square-foot guest apartment onto the back of her 1930s bungalow.
The private outdoor space showcases the renovation's south-facing windows, which were installed to connect the indoors with the yard.
Rear garden
The roof deck is outfitted with Janus et Cie Amari Low Back lounge chairs.
The master bedroom was raised and cantilevered so as not to disturb the mature oak tree roots. Boulders are used as steps to the lawn.
One of the side rooms features a deep teal wallpaper, as well as easy access to the backyard.
The outdoor space includes a fire pit.
In the kitchen, concrete countertops and black-painted cabinets contrast with the white-painted, wood-paneled ceiling and walls.
"The fenced garden includes a heated saltwater pool and separate pool house with an outdoor fireplace," says the listing agent.
The 19th-century residence at 534 Summit Avenue sits on more than an acre of landscaped gardens in the historic Ramsey Hill neighborhood of St. Paul, Minnesota. The expansive home offers major curb appeal thanks to its eye-catching "catslide" porte cochere.
The double-height living room features a towering fireplace with eight-foot-tall grates made from wrought iron. Wood-framed, cathedral-style windows continue throughout the spaces, emphasizing the tall ceilings and bringing natural light inside.
Legendary architect Frank Lloyd Wright’s eldest son, Frank Lloyd Wright, Jr. (known as Lloyd Wright) designed the 1926 Derby House in Glendale’s scenic Chevy Chase Canyon. The 3,281-square-foot home was commissioned by businessman James Derby for his family, but he and his wife separated before the home was completed, so only she and their children ever lived there.
“Tall windows invite warm natural light into the expansive living room with a fireplace and wall of built-ins, which overlooks the picturesque yard,” says the listing agent.
A barn built in 1910 is part of the family homestead.
Mary Barensfeld grew up in a colonial-style home near Pittsburgh that was built by her grandfather and enlarged by her parents. In 2016, she and fellow architect Yvonne Riggie added a pair of rustic modern wings. One, a dining pavilion, includes a lounge that is warmed by a Bodart & Gonay woodstove. The entire room opens to the outdoors through a folding wall system by Hope’s Windows.
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