The double-stacked wood wall from the exterior.
The double-stacked wood wall from the exterior.
Concrete was chosen as the primary material because of its high structural performance, low-maintenance, and how well it bridges the slope of the mountainous site.
Concrete was chosen as the primary material because of its high structural performance, low-maintenance, and how well it bridges the slope of the mountainous site.
By creating lookouts in three different directions, residents are able to celebrate the home's unique natural setting no matter which room they are in.
By creating lookouts in three different directions, residents are able to celebrate the home's unique natural setting no matter which room they are in.
The setting for the CABN is rife with walking trails and beautiful natural scenery, making it the ideal place for a digital detox. Copious windows connect the home's interior to the peaceful surroundings.
The setting for the CABN is rife with walking trails and beautiful natural scenery, making it the ideal place for a digital detox. Copious windows connect the home's interior to the peaceful surroundings.
Fed up with modern-day society’s obsessive pursuit of things rather than lived experiences, Michael Lamprell, the designer of this cabin in Adelaide, Australia, set out to create an antidote to what he quips is a “craziness we’ve brought upon ourselves.” In 160 square feet, CABN Jude  includes space for a king-size bed, toilet, shower, heater, two-burner kitchen stove, full-size sink, and fridge. The interior is clad with light-colored wood, which helps to enhance the sense of space. Large windows bring plenty of natural light, while the clever design means everything the resident needs is within easy reach.
Fed up with modern-day society’s obsessive pursuit of things rather than lived experiences, Michael Lamprell, the designer of this cabin in Adelaide, Australia, set out to create an antidote to what he quips is a “craziness we’ve brought upon ourselves.” In 160 square feet, CABN Jude includes space for a king-size bed, toilet, shower, heater, two-burner kitchen stove, full-size sink, and fridge. The interior is clad with light-colored wood, which helps to enhance the sense of space. Large windows bring plenty of natural light, while the clever design means everything the resident needs is within easy reach.
The wood-clad box blends in with the surrounding forest.
The wood-clad box blends in with the surrounding forest.
Red ALPOLIC aluminum composite panels have been used for the exterior cladding.
Red ALPOLIC aluminum composite panels have been used for the exterior cladding.
This Beverly Hills kitHAUS is comprised of modernist prefab modules that can accommodate a variety of uses: from yoga studios to home offices, and from weekend retreats to pop-up kiosks and guest rooms.
This Beverly Hills kitHAUS is comprised of modernist prefab modules that can accommodate a variety of uses: from yoga studios to home offices, and from weekend retreats to pop-up kiosks and guest rooms.
The roughly 160-square-foot modules, dubbed Mini House 2.0, were built in collaboration with Swedish manufacturer Sommarnöjen, and are delivered flat-packed. The homes are painted wood, and include a shaded deck space, plus full insulation and electricity, for a price of about $29,000. The modules come in various layouts, and can be configured and combined to include a kitchen, bedroom, bathroom, and living space.
The roughly 160-square-foot modules, dubbed Mini House 2.0, were built in collaboration with Swedish manufacturer Sommarnöjen, and are delivered flat-packed. The homes are painted wood, and include a shaded deck space, plus full insulation and electricity, for a price of about $29,000. The modules come in various layouts, and can be configured and combined to include a kitchen, bedroom, bathroom, and living space.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
Jaanus Orgusaar's NOA cabin in the Virumaa region of northeast Estonia. The structure rests on three feet, so it doesn't require a foundation.
Jaanus Orgusaar's NOA cabin in the Virumaa region of northeast Estonia. The structure rests on three feet, so it doesn't require a foundation.
The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
Set in the lush Wisconsin forest, this neatly stacked cabin was built vertically in order to minimize the amount of grading and landscaping necessary for construction. Photo by: Narayan Mahon
Set in the lush Wisconsin forest, this neatly stacked cabin was built vertically in order to minimize the amount of grading and landscaping necessary for construction. Photo by: Narayan Mahon
“There had been two or three primitive cabins on the property in the past, which resulted in a clearing that we utilized for the site,” Joseph Herrin says. “This allowed us to avoid any further tree removal for construction, and provided an opportunity to begin to restore that portion of the property with native landscaping.”
“There had been two or three primitive cabins on the property in the past, which resulted in a clearing that we utilized for the site,” Joseph Herrin says. “This allowed us to avoid any further tree removal for construction, and provided an opportunity to begin to restore that portion of the property with native landscaping.”
The facade consists of exposed concrete, Galvalume roofing, and cedar or torrefied wood coating. The homes are carefully positioned to keep other structures out of sight.
The facade consists of exposed concrete, Galvalume roofing, and cedar or torrefied wood coating. The homes are carefully positioned to keep other structures out of sight.
Though the retreat is clearly meant to afford the solitude writing so often requires, Kathleen reports that "it's very lively. Deer approach, birds bathe. The sun warms my desk and you can hear the rain."
Though the retreat is clearly meant to afford the solitude writing so often requires, Kathleen reports that "it's very lively. Deer approach, birds bathe. The sun warms my desk and you can hear the rain."
The house may appear conventional at a glance, but a closer look shows how Oostenbruggen has pushed the boundaries of the traditional gabled typology. It has an asymmetrical roof, with slate shingles that extend down the eastern side to close it off completely.
The house may appear conventional at a glance, but a closer look shows how Oostenbruggen has pushed the boundaries of the traditional gabled typology. It has an asymmetrical roof, with slate shingles that extend down the eastern side to close it off completely.
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.
Cho’s recently completed vacation retreat, the Concrete Box House, was inspired by the use of raw materials. Cho decided on grape vines as an unusual landscape element.
Cho’s recently completed vacation retreat, the Concrete Box House, was inspired by the use of raw materials. Cho decided on grape vines as an unusual landscape element.
One of the main goals of the construction was to do as little harm as possible to the existing environment, which includes waterways that salmon depend upon. Herrin and his team created a garden roof that covers the full extent of the home to meet this objective. “This helps control storm water runoff and also replaces lost insect habitat—insects being a critical food source for juvenile salmon,” he says.
One of the main goals of the construction was to do as little harm as possible to the existing environment, which includes waterways that salmon depend upon. Herrin and his team created a garden roof that covers the full extent of the home to meet this objective. “This helps control storm water runoff and also replaces lost insect habitat—insects being a critical food source for juvenile salmon,” he says.
Erin Moore of FLOAT Architectural Research and Design, based in Tucson, Arizona, designed a 70-square-foot writer’s retreat in Wren, Oregon, for her mother, Kathleen Dean Moore, a nature writer and professor of philosophy at nearby Oregon State University. The elder Moore wanted a small studio in which to work and observe the delicate wetland ecosystem on the banks of the Marys River. Enlisting her daughter’s design expertise, her professor husband’s carpentry savoir faire, the aid of friends, and a front loader, Kathleen and her crew erected the structure in September 2007. Photo by Gary Tarleton. Totally off the grid—–Kathleen forgoes the computer and writes by hand when there—–the Watershed was designed to tread as lightly on the fragile ecosystem as the wild turkeys and Western pond turtles that live nearby. “
Erin Moore of FLOAT Architectural Research and Design, based in Tucson, Arizona, designed a 70-square-foot writer’s retreat in Wren, Oregon, for her mother, Kathleen Dean Moore, a nature writer and professor of philosophy at nearby Oregon State University. The elder Moore wanted a small studio in which to work and observe the delicate wetland ecosystem on the banks of the Marys River. Enlisting her daughter’s design expertise, her professor husband’s carpentry savoir faire, the aid of friends, and a front loader, Kathleen and her crew erected the structure in September 2007. Photo by Gary Tarleton. Totally off the grid—–Kathleen forgoes the computer and writes by hand when there—–the Watershed was designed to tread as lightly on the fragile ecosystem as the wild turkeys and Western pond turtles that live nearby. “
Wood from the property’s felled trees was incorporated into every room in the 3,000-square-foot house.
Wood from the property’s felled trees was incorporated into every room in the 3,000-square-foot house.
Located in California’s Sugar Bowl neighborhood, this shadowy lair by Mork-Ulnes Architects looks like something out of fairy tale. "We call the house Troll Hus, with a reference to the otherworldly beings in Norse mythology and Scandinavian folklore that are said to dwell in remote mountains," architect Casper Mork-Ulnes says.
Located in California’s Sugar Bowl neighborhood, this shadowy lair by Mork-Ulnes Architects looks like something out of fairy tale. "We call the house Troll Hus, with a reference to the otherworldly beings in Norse mythology and Scandinavian folklore that are said to dwell in remote mountains," architect Casper Mork-Ulnes says.
This dwelling joins a number of structures—such as a boathouse and guesthouse—owned by one family and used for vacations. They needed a new house to accommodate new generations at the reatreat.
This dwelling joins a number of structures—such as a boathouse and guesthouse—owned by one family and used for vacations. They needed a new house to accommodate new generations at the reatreat.
“From the street, it appears as a rectangular building with sloping shed roofs, but this is actually an illusion,” Hutchison notes. “The floor plan is actually U-shaped, wrapping around an entry courtyard that is contained by the continuous west facade.” A standing seam metal roof by Custom Bilt Metals blends in with the cedar siding.
“From the street, it appears as a rectangular building with sloping shed roofs, but this is actually an illusion,” Hutchison notes. “The floor plan is actually U-shaped, wrapping around an entry courtyard that is contained by the continuous west facade.” A standing seam metal roof by Custom Bilt Metals blends in with the cedar siding.
A shark-skinning shack.
A shark-skinning shack.
Debbi Gibbs loved the seeming wilderness of the area, especially considering its relative proximity to her New York apartment. She bought a ramshackle cabin with plans to tear it down and start fresh, then bided her time until she found just the right architects. Enter Joseph Tanney and Robert Luntz of Resolution: 4 Architecture, who granted her wish for an open prefabricated structure with custom design touches.
Debbi Gibbs loved the seeming wilderness of the area, especially considering its relative proximity to her New York apartment. She bought a ramshackle cabin with plans to tear it down and start fresh, then bided her time until she found just the right architects. Enter Joseph Tanney and Robert Luntz of Resolution: 4 Architecture, who granted her wish for an open prefabricated structure with custom design touches.
The 4TREEHOUSE features a futuristic illuminated facade that looks like something straight out of a science fiction movie.
The 4TREEHOUSE features a futuristic illuminated facade that looks like something straight out of a science fiction movie.
In the land of large mountain lodge wannabes, two California natives tuck Utah’s first LEED for Homes–rated house onto the side of Emigration Canyon. Photo by Dustin Aksland
In the land of large mountain lodge wannabes, two California natives tuck Utah’s first LEED for Homes–rated house onto the side of Emigration Canyon. Photo by Dustin Aksland
Poteet describes the space as “unbearably hot” before he used spray-foam insulation between the exterior walls and the interior bamboo. “Now it’s the equivalent of a steel ice chest,” he says.
Poteet describes the space as “unbearably hot” before he used spray-foam insulation between the exterior walls and the interior bamboo. “Now it’s the equivalent of a steel ice chest,” he says.
In the winter, instead of floating over the pond, the hut sits lightly above the snow. "It's protected and serene but alive with subtle energy," Poss says. Photo by Phillip Kalantzis-Cope.

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In the winter, instead of floating over the pond, the hut sits lightly above the snow. "It's protected and serene but alive with subtle energy," Poss says. Photo by Phillip Kalantzis-Cope. Don't miss a word of Dwell! Download our FREE app from iTunes, friend us on Facebook, or follow us on Twitter!
One of the most significant of Mies' works, the Farnsworth House in Plano, Illinois, was built between 1945 and 1951 for Dr. Edith Farnsworth as a weekend retreat. The home embraces his concept of a strong connection between structure and nature, and may be the fullest expression of his modernist ideals.
One of the most significant of Mies' works, the Farnsworth House in Plano, Illinois, was built between 1945 and 1951 for Dr. Edith Farnsworth as a weekend retreat. The home embraces his concept of a strong connection between structure and nature, and may be the fullest expression of his modernist ideals.
The solar panels on the roof often get covered in a heavy layer of snow, but with periodic clearing, they are as effective during the sunny days of winter as they are during fairer weather.
The solar panels on the roof often get covered in a heavy layer of snow, but with periodic clearing, they are as effective during the sunny days of winter as they are during fairer weather.

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