A view across the kitchen island south toward One World Trade Center. 

Photo by Howie Guja
Styling by Gorilla Styling
A view across the kitchen island south toward One World Trade Center. Photo by Howie Guja Styling by Gorilla Styling
The couple chose to contrast the wood in the master bath with a smooth Caesarstone counter in Organic 

White 4600, which was measured and cut specifically for the space. They added a bit of shine with polished-nickel Upton fixtures from Toto. Photo by Coral von Zumwalt.
The couple chose to contrast the wood in the master bath with a smooth Caesarstone counter in Organic White 4600, which was measured and cut specifically for the space. They added a bit of shine with polished-nickel Upton fixtures from Toto. Photo by Coral von Zumwalt.
Renovating the old mill was a family effort, and Blee called on his sister Kate, a textile designer based in London, to lend a helping hand with the tile work. Kate's repertoire also extends to building installations, including a ceramic wall in the City and Islington Center for Lifelong Learning in North London. "She had several boxes left over," Blee recalls, "which meant another opportunity to use something that was lying around." The tiles, with finishes ranging from heavy glazes to matte coats, offered textural variety, which brother and sister used to "play around with the idea of reflection from the roof light."
Renovating the old mill was a family effort, and Blee called on his sister Kate, a textile designer based in London, to lend a helping hand with the tile work. Kate's repertoire also extends to building installations, including a ceramic wall in the City and Islington Center for Lifelong Learning in North London. "She had several boxes left over," Blee recalls, "which meant another opportunity to use something that was lying around." The tiles, with finishes ranging from heavy glazes to matte coats, offered textural variety, which brother and sister used to "play around with the idea of reflection from the roof light."