Open Living Room
Open Living Room
Stadt Architecture’s Christopher Kitterman transformed a generic studio in Chelsea into a bright one-bedroom apartment for Vancouver couple Dale Steele and Dan Nguyen. The living room features a Hans Wegner GE290 lounge chair upholstered in leather by Spinneybeck, a round rug and Cobble Hill Adams sofa from ABC Carpet & Home, a Pedrera coffee table by Gubi, and a Bob side table by Poltrona Frau. An automated lift raises a TV from inside the custom millwork under the window. Acid-etched tempered glass doors lead to the bedroom.
Stadt Architecture’s Christopher Kitterman transformed a generic studio in Chelsea into a bright one-bedroom apartment for Vancouver couple Dale Steele and Dan Nguyen. The living room features a Hans Wegner GE290 lounge chair upholstered in leather by Spinneybeck, a round rug and Cobble Hill Adams sofa from ABC Carpet & Home, a Pedrera coffee table by Gubi, and a Bob side table by Poltrona Frau. An automated lift raises a TV from inside the custom millwork under the window. Acid-etched tempered glass doors lead to the bedroom.
At the family home of an Israeli architect, modern and light-filled interiors enliven a brutalist, raw concrete structure.
Located in the city of Ramat HaSharon near Tel Aviv, the home that Pitsou Kedem designed for himself and his family boasts a powerful and striking horizontal form with a low silhouette.
At the family home of an Israeli architect, modern and light-filled interiors enliven a brutalist, raw concrete structure. Located in the city of Ramat HaSharon near Tel Aviv, the home that Pitsou Kedem designed for himself and his family boasts a powerful and striking horizontal form with a low silhouette.
The old wood floors throughout the open-plan space are painted a dark eggplant. The vintage PP19 armchair is by Hans J. Wegner for PP Møbler. The painting above it is by Ruben Toledo, a friend of Peter Fehrentz, the resident. A trio of Tom Dixon lights hangs over the Pirkka dining table, with bench seating by Ilmari Tapiovaara for Artek. The Berber rug is from Morocco, purchased from the Paris shop Caravane.
The old wood floors throughout the open-plan space are painted a dark eggplant. The vintage PP19 armchair is by Hans J. Wegner for PP Møbler. The painting above it is by Ruben Toledo, a friend of Peter Fehrentz, the resident. A trio of Tom Dixon lights hangs over the Pirkka dining table, with bench seating by Ilmari Tapiovaara for Artek. The Berber rug is from Morocco, purchased from the Paris shop Caravane.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
New interior finishes, furniture, and a guesthouse were part of the restoration/renovation of John Lautner's Chemosphere, a 1960s house that makes frequent cameos in film and television.
New interior finishes, furniture, and a guesthouse were part of the restoration/renovation of John Lautner's Chemosphere, a 1960s house that makes frequent cameos in film and television.
On the first level, a walnut veneer counter offers a place to drop belongings or to enjoy a meal. The walls are painted in Decorator’s White by Benjamin Moore to create a bright but neutral backdrop. Maximizing space was the priority of the remodel.
On the first level, a walnut veneer counter offers a place to drop belongings or to enjoy a meal. The walls are painted in Decorator’s White by Benjamin Moore to create a bright but neutral backdrop. Maximizing space was the priority of the remodel.
The unusual layout of René Roupinian’s Upper West Side home is what initially attracted her to the space, but the three-level plan proved difficult to organize. In his first solo project as STADT Architecture, Christopher Kitterman used a palette of walnut and white to unify the apartment, which he filled with space-saving solutions. Near the entrance, a Goliath table from Resource Furniture can expand to seat up to 10.
The unusual layout of René Roupinian’s Upper West Side home is what initially attracted her to the space, but the three-level plan proved difficult to organize. In his first solo project as STADT Architecture, Christopher Kitterman used a palette of walnut and white to unify the apartment, which he filled with space-saving solutions. Near the entrance, a Goliath table from Resource Furniture can expand to seat up to 10.
In the living room, laminate cabinets with integrated finger pulls stow René’s belongings, while a purple-accented niche displays favorite objects (above left). A variation on the system serves as a wardrobe in the sleeping loft. Additional storage can be found in the walnut platform with side tables.
In the living room, laminate cabinets with integrated finger pulls stow René’s belongings, while a purple-accented niche displays favorite objects (above left). A variation on the system serves as a wardrobe in the sleeping loft. Additional storage can be found in the walnut platform with side tables.
An affordable Manhattan triplex might seem the stuff of real estate fantasy. That’s why attorney René Roupinian jumped on the apartment despite the fact that the square footage of its three combined levels was less than that of some studios. "It was so different from anything I had seen. It felt really spacious because of the high ceilings, and it had exposed brick on both sides," René recalls. "I just said, ‘Oh my god, I love this apartment.’"
An affordable Manhattan triplex might seem the stuff of real estate fantasy. That’s why attorney René Roupinian jumped on the apartment despite the fact that the square footage of its three combined levels was less than that of some studios. "It was so different from anything I had seen. It felt really spacious because of the high ceilings, and it had exposed brick on both sides," René recalls. "I just said, ‘Oh my god, I love this apartment.’"
In the bathroom,a little-used tub was replaced by a streamlined shower. Both the Duravit medicine cabinet and the Kimball & Young makeup mirror feature built-in LED lighting.
In the bathroom,a little-used tub was replaced by a streamlined shower. Both the Duravit medicine cabinet and the Kimball & Young makeup mirror feature built-in LED lighting.
Plum accents, including a Saarinen Womb chair in aubergine Rivington fabric by KnollTextiles, complement the apartment’s exposed brick. The trio of Paper tables, designed by GamFratesi for Gubi, can nest in various formations, while a Clear Ice chandelier from ABC Carpet & Home and semisheer curtains made by Beckenstein Fabric & Interiors lend the room a soft glow.
Plum accents, including a Saarinen Womb chair in aubergine Rivington fabric by KnollTextiles, complement the apartment’s exposed brick. The trio of Paper tables, designed by GamFratesi for Gubi, can nest in various formations, while a Clear Ice chandelier from ABC Carpet & Home and semisheer curtains made by Beckenstein Fabric & Interiors lend the room a soft glow.
Lighting becomes a space-defining form of shelter in the XL by Bart Lens, which features an oversize lamp shade. Design: Bart Lens (objetbart.be). Production: Eden Design (edendesign.be). Photo courtesy of Bart Lens.
Lighting becomes a space-defining form of shelter in the XL by Bart Lens, which features an oversize lamp shade. Design: Bart Lens (objetbart.be). Production: Eden Design (edendesign.be). Photo courtesy of Bart Lens.
The unusual layout of René Roupinian’s Upper West Side home is what initially attracted her to the space, but the three-level plan proved difficult to organize. In his first solo project as STADT Architecture, Christopher Kitterman used a palette of walnut and white to unify the apartment, which he filled with space-saving solutions. Near the entrance, a Goliath table from Resource Furniture can expand to seat up to 10.
The unusual layout of René Roupinian’s Upper West Side home is what initially attracted her to the space, but the three-level plan proved difficult to organize. In his first solo project as STADT Architecture, Christopher Kitterman used a palette of walnut and white to unify the apartment, which he filled with space-saving solutions. Near the entrance, a Goliath table from Resource Furniture can expand to seat up to 10.