Raymond takes a break on the master bedroom’s interior balcony, which is cantilevered over the dining area.
Raymond takes a break on the master bedroom’s interior balcony, which is cantilevered over the dining area.
Front Entry Door & Privacy Screen
Front Entry Door & Privacy Screen
The Alexandria House uses a material palette of polished concrete floors, ruddy hardwood accents, and smooth white plaster. Black covers entire walls in the living room and kitchen and threads throughout the home, popping up everywhere from the iron railing outside to the decorative picture frames inside.
The Alexandria House uses a material palette of polished concrete floors, ruddy hardwood accents, and smooth white plaster. Black covers entire walls in the living room and kitchen and threads throughout the home, popping up everywhere from the iron railing outside to the decorative picture frames inside.
In Chicago’s Buena Park, dSPACE Studio transformed a disorganized 1978 home into a bright retreat that revolves around an expanded atrium. SoCo pendant lights by Tech Lighting draw the eye up to the double-height light well.
In Chicago’s Buena Park, dSPACE Studio transformed a disorganized 1978 home into a bright retreat that revolves around an expanded atrium. SoCo pendant lights by Tech Lighting draw the eye up to the double-height light well.
Clad in white HardiePlank siding, the duplex was designed to mimic the industrial look of the shipping container extensions.
Clad in white HardiePlank siding, the duplex was designed to mimic the industrial look of the shipping container extensions.
“When you’re doing a second home, a lot of the character of the design is defined by what it isn’t,” says architect Greg Howe, as a way of explaining the minimalistic approach that was taken on this Michigan weekend home. “If you think of it as cold, you have to remember, the setting, and accessing nature, is the point.”
“When you’re doing a second home, a lot of the character of the design is defined by what it isn’t,” says architect Greg Howe, as a way of explaining the minimalistic approach that was taken on this Michigan weekend home. “If you think of it as cold, you have to remember, the setting, and accessing nature, is the point.”
Long before he moved into the historic building, Dutch architect Felix Claus admired 51 rue Raynouard, an apartment block in the Passy district of Paris designed and built in 1932 by Auguste Perret. One of the seminal architects of the 20th century, Perret is renowned for high-profile commissions like the Théâtre des Champs-Élysées in Paris and the post–Second World War rebuild of Le Havre, and for his pioneering use of reinforced concrete. He constructed 51 rue Raynouard to house the design firm he ran with his two brothers and created a 1,830-square-foot apartment on the seventh floor for himself and his wife. Here, the apartment’s balcony offers an impressive view of rue Raynouard.
Long before he moved into the historic building, Dutch architect Felix Claus admired 51 rue Raynouard, an apartment block in the Passy district of Paris designed and built in 1932 by Auguste Perret. One of the seminal architects of the 20th century, Perret is renowned for high-profile commissions like the Théâtre des Champs-Élysées in Paris and the post–Second World War rebuild of Le Havre, and for his pioneering use of reinforced concrete. He constructed 51 rue Raynouard to house the design firm he ran with his two brothers and created a 1,830-square-foot apartment on the seventh floor for himself and his wife. Here, the apartment’s balcony offers an impressive view of rue Raynouard.
The 1967 beach house—which underwent a meticulous renovation by Bates Masi, the original architect’s firm—is listed as an exclusive holiday rental along the coast of Long Island in New York.
The 1967 beach house—which underwent a meticulous renovation by Bates Masi, the original architect’s firm—is listed as an exclusive holiday rental along the coast of Long Island in New York.
Street view of the double gable
Street view of the double gable
A bridge spans the home’s steep site for street access.
A bridge spans the home’s steep site for street access.
Jessica Helgerson Interior Design, with project manager and lead designer Emily Kudsen Leland at the helm, remade a Portland abode with a crisp paint palette: Benjamin Moore’s Wrought Iron for the cladding and Venetian Gold for the front door. The home was originally designed by Saul Zaik in Southwest Portland, complete with a wood-clad exterior, in 1956. As part of the renovation, landscape design was completed by Lilyvilla Gardens.
Jessica Helgerson Interior Design, with project manager and lead designer Emily Kudsen Leland at the helm, remade a Portland abode with a crisp paint palette: Benjamin Moore’s Wrought Iron for the cladding and Venetian Gold for the front door. The home was originally designed by Saul Zaik in Southwest Portland, complete with a wood-clad exterior, in 1956. As part of the renovation, landscape design was completed by Lilyvilla Gardens.
Schaer replaced the garage’s crumbling wooden posts with an earthquake-resistant steel frame. He also excavated beneath the building, establishing a basement level for a workshop, storage, laundry, and water heater. The earth removed in the process was shoveled into concrete “boxes” in the yard. These form a raised terrace from which you can see the Olympic mountains.
Schaer replaced the garage’s crumbling wooden posts with an earthquake-resistant steel frame. He also excavated beneath the building, establishing a basement level for a workshop, storage, laundry, and water heater. The earth removed in the process was shoveled into concrete “boxes” in the yard. These form a raised terrace from which you can see the Olympic mountains.
Oriented to absorb the afternoon sun, floor-to-ceiling doors comprise two-thirds of the home’s west-facing walls, which open to an elevated deck overlooking Island Bay. Combined with extra-thick building insulation, this passive element provides sufficient heating for the home, even during winter months—a true feat given the region’s cold seasonal winds.
Oriented to absorb the afternoon sun, floor-to-ceiling doors comprise two-thirds of the home’s west-facing walls, which open to an elevated deck overlooking Island Bay. Combined with extra-thick building insulation, this passive element provides sufficient heating for the home, even during winter months—a true feat given the region’s cold seasonal winds.
Floors are concrete on the lower level and exposed wood car decking is used on the upper floor.
Floors are concrete on the lower level and exposed wood car decking is used on the upper floor.
Joaquin Altamirano and Silvia Martín worked with Daniel Bergman Vázquez of Estudio Untercio to create an open-plan oasis in an apartment building in central Madrid. Estudio Untercio designed the medium-density fiberboard cupboards, which are coated with lacquer paint matching the ceramic-porcelain countertops. The tubular hood above the island is by Teka.
Joaquin Altamirano and Silvia Martín worked with Daniel Bergman Vázquez of Estudio Untercio to create an open-plan oasis in an apartment building in central Madrid. Estudio Untercio designed the medium-density fiberboard cupboards, which are coated with lacquer paint matching the ceramic-porcelain countertops. The tubular hood above the island is by Teka.
For 2015, Vipp, the Danish industrial design company known for its iconic trash cans and all-black kitchens, introduces a 592-square-foot prefab unit called Shelter.
For 2015, Vipp, the Danish industrial design company known for its iconic trash cans and all-black kitchens, introduces a 592-square-foot prefab unit called Shelter.
Each villa is composed of a series of spaces, varying from two to three bedrooms, and offers different views out to the ocean. Overlapping timber roofs made from recycled teak planks and built by local craftsman provide shade from the powerful sun.
Each villa is composed of a series of spaces, varying from two to three bedrooms, and offers different views out to the ocean. Overlapping timber roofs made from recycled teak planks and built by local craftsman provide shade from the powerful sun.
New Rear Extension
New Rear Extension
A former factory for Alexander Thomson & Sons Pattern Makers—a company that made wooden forms which were then cast in metal for propellers—this old building now has a new second floor and an excavated cellar, which has increased its floor space from 3,500 square feet to a whooping 8,500 square feet.
A former factory for Alexander Thomson & Sons Pattern Makers—a company that made wooden forms which were then cast in metal for propellers—this old building now has a new second floor and an excavated cellar, which has increased its floor space from 3,500 square feet to a whooping 8,500 square feet.
“From the beginning we knew we needed to remove the rear 80s extension and preserve the front Edwardian home,” architect Michael Ong says. “So, we were interested in how the two different architectural styles would work together.” The old Edwardian home can be seen in the center of the frame, through the dining room and kitchen of the addition. Merbau Decking extends into the garden, which became the focal point of the home.
“From the beginning we knew we needed to remove the rear 80s extension and preserve the front Edwardian home,” architect Michael Ong says. “So, we were interested in how the two different architectural styles would work together.” The old Edwardian home can be seen in the center of the frame, through the dining room and kitchen of the addition. Merbau Decking extends into the garden, which became the focal point of the home.
A section of the facade—a cross between a shoji screen and a barn door—slides open. Planter boxes contain edible varieties that fuel Mary’s culinary explorations.
A section of the facade—a cross between a shoji screen and a barn door—slides open. Planter boxes contain edible varieties that fuel Mary’s culinary explorations.

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