Yumi (left) and Maya (right) cheese around on the steps leading into the front door. Inside, there is ample space for removing and leaving one's shoes, another Japanese element.
Yumi (left) and Maya (right) cheese around on the steps leading into the front door. Inside, there is ample space for removing and leaving one's shoes, another Japanese element.
Inspired by an old technique that Le Corbusier experimented with in the 1930s, Gregory Katz has imprinted Lot Four Two Four’s name on the exterior wall at the entrance, using laser-cut Perspex on concrete. Read more about  this South African concrete abode here.
Inspired by an old technique that Le Corbusier experimented with in the 1930s, Gregory Katz has imprinted Lot Four Two Four’s name on the exterior wall at the entrance, using laser-cut Perspex on concrete. Read more about this South African concrete abode here.
A spacious deck was created as part of the addition. A cantilevered concrete bench stretches out to the rear garden and complements the adjacent concrete wall.
A spacious deck was created as part of the addition. A cantilevered concrete bench stretches out to the rear garden and complements the adjacent concrete wall.
Acoustic Shells (Flanagan Lawrence: Littlehampton, United Kingdom)

A visual response to the sand dunes and sea near the shore, these whisper-thin concrete curves were shaped with material sprayed on mesh, measuring merely 100 millimeters in spots. The twin bell curves function as a bandstand on one side, and a larger version of a seashell on the other—it plays back the sea’s gentle rhythms.
Acoustic Shells (Flanagan Lawrence: Littlehampton, United Kingdom) A visual response to the sand dunes and sea near the shore, these whisper-thin concrete curves were shaped with material sprayed on mesh, measuring merely 100 millimeters in spots. The twin bell curves function as a bandstand on one side, and a larger version of a seashell on the other—it plays back the sea’s gentle rhythms.