The raw edges of the antique teak wood shelves bring an organic touch to the the living area.
The raw edges of the antique teak wood shelves bring an organic touch to the the living area.
Architect Ana Smud’s residence in the Vicente López suburb of Buenos Aires is surrounded by gardens and wrapped in timber, concrete, and glass.
Architect Ana Smud’s residence in the Vicente López suburb of Buenos Aires is surrounded by gardens and wrapped in timber, concrete, and glass.
White oak slats and cork cladding give texture to the facade of a house that architect Jack Becker designed for himself and his wife, landscape architect Maddie Hoagland-Hanson, in an alley in the Capitol Hill area of Washington, D.C. High awning windows let daylight in while preserving privacy.
White oak slats and cork cladding give texture to the facade of a house that architect Jack Becker designed for himself and his wife, landscape architect Maddie Hoagland-Hanson, in an alley in the Capitol Hill area of Washington, D.C. High awning windows let daylight in while preserving privacy.
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">HUTCH Design used organic materials and earthy tones to transform this former concrete pig shed outside of London. </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">"Internally we placed an emphasis on crafted, organic materials with earthy tones borrowed from nature—including clay-plastered walls and ceilings, end grain flooring and English elm joinery—and styled with pieces from artisans and makers,
HUTCH Design used organic materials and earthy tones to transform this former concrete pig shed outside of London.
Catherine's Italian chandelier hangs in the front hall. The floors are marble from Mexico. "We wanted [the floors] to feel a little more natural,
Catherine's Italian chandelier hangs in the front hall. The floors are marble from Mexico. "We wanted [the floors] to feel a little more natural,
Dellekamp + Schleich built this C-shaped weekend getaway in Valle de Bravo with a central courtyard that prioritizes play.
Dellekamp + Schleich built this C-shaped weekend getaway in Valle de Bravo with a central courtyard that prioritizes play.
On the entrance deck, a hand-crafted wooden couple welcomes visitors. The U-shaped deck surrounds the entire lower level.
On the entrance deck, a hand-crafted wooden couple welcomes visitors. The U-shaped deck surrounds the entire lower level.
The custom cabinetry is painted Benjamin Moore “Rooftop Garden” and topped with Sea Pearl Quartzite. The island has oak cabinets with an ebonized maple counter, lined with stools by Joel Edmondson for Denver Modern.
The custom cabinetry is painted Benjamin Moore “Rooftop Garden” and topped with Sea Pearl Quartzite. The island has oak cabinets with an ebonized maple counter, lined with stools by Joel Edmondson for Denver Modern.
The countertop is a custom Concrete Collaborative terrazzo, and the colored flecks nod to the wall tiles.
The countertop is a custom Concrete Collaborative terrazzo, and the colored flecks nod to the wall tiles.
Built in 1937, Taliesin West was an experiment in desert living that evolved at the hands of master architect Frank Lloyd Wright and his apprentices until he passed in 1959. Conceptualized as a refuge from the harsh winters of the Midwest, the complex—which grew to include a drafting studio, dining facilities, three theaters, a workshop, Wright’s office and private living quarters, and apprentice and staff residences—takes direct inspiration from the arid landscape.
Built in 1937, Taliesin West was an experiment in desert living that evolved at the hands of master architect Frank Lloyd Wright and his apprentices until he passed in 1959. Conceptualized as a refuge from the harsh winters of the Midwest, the complex—which grew to include a drafting studio, dining facilities, three theaters, a workshop, Wright’s office and private living quarters, and apprentice and staff residences—takes direct inspiration from the arid landscape.
“We wanted to daylight the main rooms of the house—living, kitchen, dining, and bedrooms—in a strong, architectural way that was integrated with the building,” says SHED Principal Prentis Hale.
“We wanted to daylight the main rooms of the house—living, kitchen, dining, and bedrooms—in a strong, architectural way that was integrated with the building,” says SHED Principal Prentis Hale.
An oculus overhead of the conversation pit lets in extra light while giving occupants below a glimpse of the sky. The family often hangs out in the conversation pit—some to read, others to play video games—and hidden built-in power adaptors make sure the two sons' electronics are always fully charged.
An oculus overhead of the conversation pit lets in extra light while giving occupants below a glimpse of the sky. The family often hangs out in the conversation pit—some to read, others to play video games—and hidden built-in power adaptors make sure the two sons' electronics are always fully charged.
Mudroom-foyer with concrete pavers with coat/shoe storage under the stairs: Ascend through the terrazzo staircase to the main living level.
Mudroom-foyer with concrete pavers with coat/shoe storage under the stairs: Ascend through the terrazzo staircase to the main living level.
Floor Plan of Butterfly House by Oliver Leech Architects
Floor Plan of Butterfly House by Oliver Leech Architects
Exterior facade of museum
Exterior facade of museum
Taliesyn composed the Cabin House as a unified cuboid volume containing a hybrid living area.
Taliesyn composed the Cabin House as a unified cuboid volume containing a hybrid living area.
FG House | Bernardes Arquitetura
FG House | Bernardes Arquitetura
FG House | Bernardes Arquitetura
FG House | Bernardes Arquitetura

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