The minimalist bathroom boasts Cararra marble surfaces, Hansgrohe faucets and shower fixtures, and a skylight by Velux.
The couple chose to contrast the wood in the master bath with a smooth Caesarstone counter in Organic
White 4600, which was measured and cut specifically for the space. They added a bit of shine with polished-nickel Upton fixtures from Toto. Photo by Coral von Zumwalt.
Office
Architect William Massie built a hybrid prefab home for vintage retailer Greg Wooten, who handled the interiors. In the living room is a 1950s Franco Albini rattan chair, a Crate chair designed by Gerrit Rietveld in 1934, and a 1970s sofa by Edward Axel Roffman. The tall ceramic piece is by Bruno Gambone.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
The entrance to the living room includes a seating area where guests can remove their shoes.
A long hallway from the living room separates the public and private sections of the home and extends the distance between the living quarters and work spaces.
The entire house is painted in one color: Sherwin Williams' Ibis White.
Light streams into the bedroom through walls of floor-to-ceiling glass. The windows are triple-glazed, creating a tight, eco-friendly seal.