The alleyway extends into a full kitchen, where meals can be prepared right beside family gatherings. While the main frame of the home was built with the typical concrete, brick, and steel, the materials for the roof and floor tiles, as well as doors, windows, shelving and interior furnishings, were sourced primarily from demolished Saigon homes.
The alleyway extends into a full kitchen, where meals can be prepared right beside family gatherings. While the main frame of the home was built with the typical concrete, brick, and steel, the materials for the roof and floor tiles, as well as doors, windows, shelving and interior furnishings, were sourced primarily from demolished Saigon homes.
Two-year-old Annika and five-year-old Soren make music on the "nap swing," a popular hangout spot for kids and adults alike.
Two-year-old Annika and five-year-old Soren make music on the "nap swing," a popular hangout spot for kids and adults alike.
Using natural materials is one way of bringing nature indoors. Oiled white ash floors and ceilings, along with Italian poplar and Lawson cypress joinery, are found throughout architect Andrew Simpson’s 538-square-foot home outside Wellington, New Zealand.
Using natural materials is one way of bringing nature indoors. Oiled white ash floors and ceilings, along with Italian poplar and Lawson cypress joinery, are found throughout architect Andrew Simpson’s 538-square-foot home outside Wellington, New Zealand.
A glass door on the north side sits opposite a glass window on the south wall that overlooks a birch tree forest. Skylights pull light into the interior. "Even though the artist paints landscapes, she didn't want to be distracted by the beauty of her surroundings while in the studio, which led to the limited apertures," Peterson says.
A glass door on the north side sits opposite a glass window on the south wall that overlooks a birch tree forest. Skylights pull light into the interior. "Even though the artist paints landscapes, she didn't want to be distracted by the beauty of her surroundings while in the studio, which led to the limited apertures," Peterson says.