Before: The kitchen was a narrow galley separated from the rest of the living spaces with a vestibule that contained the refrigerator, the laundry, and a door to the yard.
Before: The kitchen was a narrow galley separated from the rest of the living spaces with a vestibule that contained the refrigerator, the laundry, and a door to the yard.
A sliding barn door accesses the bathroom, where the Jungbauers installed a compost toilet and low-flow fixtures for the sink and the shower.
A sliding barn door accesses the bathroom, where the Jungbauers installed a compost toilet and low-flow fixtures for the sink and the shower.
Sophia and Henry relax in the open-plan living area of their tiny home with their dog Cora, a Labrador retriever and Siberian husky mix.
Sophia and Henry relax in the open-plan living area of their tiny home with their dog Cora, a Labrador retriever and Siberian husky mix.
A built-in sofa and vintage 1964 George Mulhauser "Mr. Chair
A built-in sofa and vintage 1964 George Mulhauser "Mr. Chair
The living area is furnished with a Gladom side table, a throw pillow, and cushions—all from Ikea. At night, the loft ladder leans over the sofa, secured with a bungee cord; during the day, it props up beside the Woodsman fireplace.
The living area is furnished with a Gladom side table, a throw pillow, and cushions—all from Ikea. At night, the loft ladder leans over the sofa, secured with a bungee cord; during the day, it props up beside the Woodsman fireplace.
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.
Sited on a remote, forested plot two hours from San José, Costa Rica, this home was designed with spiritual transcendence in mind—along with off-grid sustainability. When architect María de la Paz Alice of <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mazpazz Arquitectur</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">a first saw the plot in the mountains of Palmichal de Acosta, she was skeptical due to its inaccessibility. Luckily for the client—a film producer and ocean conservationist who dreamed of a place where she could disconnect—the architect was game to take on the project. Casa Salvaje, or Wild House, is an entirely autonomous stone-and-concrete home that uses geometric openings to frame its tranquil surroundings. Teaming up with interior designer Ileana Guerrero—who worked with local artisans to craft custom furnishings for the living spaces—and landscape designer Jorge Salgado, the project is a breathtaking example of architecture that connects to the earth. The home’s entrance, which the architect refers to as “the vortex,” takes the form of a concrete cube with two prominent circular openings. Crystals encrusted in the floor capture and reflect the light that passes through the overhead oculus from the sun and moon. “As you walk in, the circular window framing the mountain view is the focal point, and the sky window above immediately connects you to your surroundings,” says the architect. “I strive to create spaces that will benefit and expand people emotionally and spiritually, just as much as they do aesthetically.”</span>
Mazpazz Arquitectur
Sometimes all it takes is a little luck. For a young married couple, it came in the form of this rare find: a 19th-century, three-story, single-family home in the heart of Paris. The building was a charmer with good bones, but was in need of some serious care. In a vibrant retrofit by architect Pierre-Louis Gerlier that includes structural reinforcements, the reimagined design is set off with a new floor plan. The lower level now serves as a space for the couple’s children, with the public areas—including an open-plan living/dining room and kitchen—on the floor above. Upstairs, the attic has been transformed into a very large primary bedroom with a green-and-white bathroom suite. The living room (pictured) showcases the firm’s bespoke carpentry work with a beautiful, mossy-green built-in bookcase that frames a new fireplace, and a staircase surrounded by arched doorways that hold hidden storage. “We created visual breakthroughs in order to connect the different spaces,” says Gerlier. “The rounded arches are there to help magnify these moments.”
Sometimes all it takes is a little luck. For a young married couple, it came in the form of this rare find: a 19th-century, three-story, single-family home in the heart of Paris. The building was a charmer with good bones, but was in need of some serious care. In a vibrant retrofit by architect Pierre-Louis Gerlier that includes structural reinforcements, the reimagined design is set off with a new floor plan. The lower level now serves as a space for the couple’s children, with the public areas—including an open-plan living/dining room and kitchen—on the floor above. Upstairs, the attic has been transformed into a very large primary bedroom with a green-and-white bathroom suite. The living room (pictured) showcases the firm’s bespoke carpentry work with a beautiful, mossy-green built-in bookcase that frames a new fireplace, and a staircase surrounded by arched doorways that hold hidden storage. “We created visual breakthroughs in order to connect the different spaces,” says Gerlier. “The rounded arches are there to help magnify these moments.”
The architects removed the shutters and swapped in casement windows. Benjamin Moore Gray now coats the brick, and a metal roof protects the porch.
The architects removed the shutters and swapped in casement windows. Benjamin Moore Gray now coats the brick, and a metal roof protects the porch.
In Malinalco, Mexico, Casa Mague by <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mauricio Ceballos X Architects </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">draws inspiration from the region’s Aztec heritage. “Piramide de Malinalco, one of only three carved pyramids in the world, is part of the town’s daily life,” explains the firm’s director and founder, </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mauricio Ceballos Pressler</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">. “The inhabitants feel proud of their Aztec roots.” To honor them, and in direct reference to the nearby pyramid, an exterior living area adjacent to the pool in the first slide features a curved and stepped wood wall. To more broadly echo a Mesoamerican worldview, Pressler designed each room of the 2,906-square-foot home to feel as if it’s woven into the landscape. “Trees have ritual meaning,” he explains. “The roots symbolize the connection to the underworld, the trunks symbolize the earthly human life, and the branches symbolize the connection with the Gods.”</span>
Mauricio Ceballos X Architects
In 2009 on a quiet Los Angeles corner, Mel Elias found a severely water-damaged, crumbling 5,000-square-foot house hidden behind a tangle of overgrown vegetation. Its former owner, the late Hollywood acting coach Milton Katselas, had filled his property with industrial skylights and enormous, wood-burning fireplaces. The glass-and-concrete construction was framed by high ceilings, rusted steel beams, and varied elevations across the single-story plan. Thanks to an 11-year long, multiphase renovation by designer Carter Bradley, the home—with all of its quirks and character—shines again.
In 2009 on a quiet Los Angeles corner, Mel Elias found a severely water-damaged, crumbling 5,000-square-foot house hidden behind a tangle of overgrown vegetation. Its former owner, the late Hollywood acting coach Milton Katselas, had filled his property with industrial skylights and enormous, wood-burning fireplaces. The glass-and-concrete construction was framed by high ceilings, rusted steel beams, and varied elevations across the single-story plan. Thanks to an 11-year long, multiphase renovation by designer Carter Bradley, the home—with all of its quirks and character—shines again.
Both cabins are elevated on wooden pillars about 260 feet above sea level.
Both cabins are elevated on wooden pillars about 260 feet above sea level.