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Entry & Carport
Entry & Carport
Cabin at Longbranch | Olson Kundig
Cabin at Longbranch | Olson Kundig
Constructed from locally sourced materials, this recently built home by Scott & Scott Architects mimics the classic A-frame.
Constructed from locally sourced materials, this recently built home by Scott & Scott Architects mimics the classic A-frame.
Passionate cooks, the Burtons installed a Mugnaini wood-fired oven in their kitchen and had a custom Grillery fireplace-barbecue built into the concrete block wall on their deck at their home in northern California designed by Marmol Radziner. Beneath the grill in the prefab home, they store oak firewood collected from their property.
Passionate cooks, the Burtons installed a Mugnaini wood-fired oven in their kitchen and had a custom Grillery fireplace-barbecue built into the concrete block wall on their deck at their home in northern California designed by Marmol Radziner. Beneath the grill in the prefab home, they store oak firewood collected from their property.
In the foreground are Float beanbag chairs and poufs from Paola Lenti. Mamagreen sofas nestle near the house on the sun-dappled deck. A 9.5-foot-tall shade cloth curtain seals off the entire length of the house when the couple is away, keeping the heat out of the interior and preventing accidental bird suicides against the floor-to-ceiling glass walls.
In the foreground are Float beanbag chairs and poufs from Paola Lenti. Mamagreen sofas nestle near the house on the sun-dappled deck. A 9.5-foot-tall shade cloth curtain seals off the entire length of the house when the couple is away, keeping the heat out of the interior and preventing accidental bird suicides against the floor-to-ceiling glass walls.
Here's a wider view of the exterior.
Here's a wider view of the exterior.
In realizing their dream to build a country retreat in upstate New York, Sandy Chilewich and Joe Sultan—proprietors of the textiles firm Chilewich|Sultan—eschewed a mountainous view for an understated wooded plot. At 800 square feet, the flat-roofed home is a modest structure for the expansive 10-acre property.
In realizing their dream to build a country retreat in upstate New York, Sandy Chilewich and Joe Sultan—proprietors of the textiles firm Chilewich|Sultan—eschewed a mountainous view for an understated wooded plot. At 800 square feet, the flat-roofed home is a modest structure for the expansive 10-acre property.
Jonathan Adler and Simon Doonan collaborated with New Haven, Connecticut, firm Gray Organschi on their midcentury-inspired New York vacation home.
Jonathan Adler and Simon Doonan collaborated with New Haven, Connecticut, firm Gray Organschi on their midcentury-inspired New York vacation home.
Two linked 1,000-square-foot pavilions are greater than a sum of their parts. The simply detailed, taut, flat-roofed home’s two wings form a T-shape. One wing runs north to south, parallel to a pool, and contains the open-plan living spaces. Photo by Matthew Millman.
Two linked 1,000-square-foot pavilions are greater than a sum of their parts. The simply detailed, taut, flat-roofed home’s two wings form a T-shape. One wing runs north to south, parallel to a pool, and contains the open-plan living spaces. Photo by Matthew Millman.
When he became the dean of Syracuse University's School of Architecture in 2004, Mark Robbins made a plan to help the city and, potentially, the entire country. “I wanted to see if we could build houses that simultaneously made propositions about sustainability and about the possibility of constructing houses in a city like Syracuse,” Robbins said. The result was three green homes for $200,000 each and the promise of more to come. Read more about the central New York project here.
When he became the dean of Syracuse University's School of Architecture in 2004, Mark Robbins made a plan to help the city and, potentially, the entire country. “I wanted to see if we could build houses that simultaneously made propositions about sustainability and about the possibility of constructing houses in a city like Syracuse,” Robbins said. The result was three green homes for $200,000 each and the promise of more to come. Read more about the central New York project here.
Landscape architect Tait Moring installed pavers around the structure’s perimeter and kept the tree cover intact. Photo by: Kimberly Davis
Landscape architect Tait Moring installed pavers around the structure’s perimeter and kept the tree cover intact. Photo by: Kimberly Davis
For all its hard environmental work, one of the most immediate of the Blue Sky Home’s pleasures is how it sits so snugly in its desert surroundings.
For all its hard environmental work, one of the most immediate of the Blue Sky Home’s pleasures is how it sits so snugly in its desert surroundings.
Inspired by Japanese landscape design practices, Wright placed this large rock in the center of Manitoga's driveway. Named the Eye of Manitoga, rocks such as these dot the property's trails. They're meant to block movement and force a moment of contemplation.
Inspired by Japanese landscape design practices, Wright placed this large rock in the center of Manitoga's driveway. Named the Eye of Manitoga, rocks such as these dot the property's trails. They're meant to block movement and force a moment of contemplation.
Meticulously transplanted and cultivated moss pathways crisscross the property. Visitors are frequently astonished to learn the paths were not the landscape's natural state.
Meticulously transplanted and cultivated moss pathways crisscross the property. Visitors are frequently astonished to learn the paths were not the landscape's natural state.
The house and studio were christened "Dragon Rock" by their daughter Ann who said the rock formation resembled a dragon sipping from the pool. The pool was created by feeding a waterfall into to the pit. Seen here is a floating sculpture by current artist-in-resident Stephen Talasnik.
The house and studio were christened "Dragon Rock" by their daughter Ann who said the rock formation resembled a dragon sipping from the pool. The pool was created by feeding a waterfall into to the pit. Seen here is a floating sculpture by current artist-in-resident Stephen Talasnik.
A Hikvision video camera on the roof (top right) streams a live feed of the city to a television on a windowless wall inside.
A Hikvision video camera on the roof (top right) streams a live feed of the city to a television on a windowless wall inside.
After raising the rear patio to the level of the kitchen, the team reused the original redwood decking and supplemented it with recycled pieces from other projects. Recessed planters punctuate a garden wall. Scott and Regina warm themselves by a Solus fire pit on chilly evenings.
After raising the rear patio to the level of the kitchen, the team reused the original redwood decking and supplemented it with recycled pieces from other projects. Recessed planters punctuate a garden wall. Scott and Regina warm themselves by a Solus fire pit on chilly evenings.
The original home’s dilapidated rear wall was in such poor condition that Roberts called it “an opportunity in disguise.” She removed the wall and built a two-story addition that features double-glazed windows and sliding doors for unified entertaining inside and in the garden.
The original home’s dilapidated rear wall was in such poor condition that Roberts called it “an opportunity in disguise.” She removed the wall and built a two-story addition that features double-glazed windows and sliding doors for unified entertaining inside and in the garden.
Upstairs, tenants and friends gather outside sculptor Chris Puzio’s apartment.
Upstairs, tenants and friends gather outside sculptor Chris Puzio’s apartment.
The building’s exterior includes a 3-D mural of Cesar Chavez conceptualized by Perez’s son, Adrian.
The building’s exterior includes a 3-D mural of Cesar Chavez conceptualized by Perez’s son, Adrian.
From the mezzanine of his 450-square-foot apartment at La Esquina, an eight-unit live/work building in San Diego’s Barrio Logan neighborhood, designer, artist, and Woodbury University professor Patrick Shields chats with fellow professor Hector Perez, who spearheaded the project.
From the mezzanine of his 450-square-foot apartment at La Esquina, an eight-unit live/work building in San Diego’s Barrio Logan neighborhood, designer, artist, and Woodbury University professor Patrick Shields chats with fellow professor Hector Perez, who spearheaded the project.
"The cedar siding is simply stained with a black semi-transparent oil stain [from Cabot], which allows the color of the wood to still emerge through,” architect Robert Hutchison says. “We love how the black color makes the building recede into the background, and how it in turn allows the trees on the site to emerge as the highlight.”
"The cedar siding is simply stained with a black semi-transparent oil stain [from Cabot], which allows the color of the wood to still emerge through,” architect Robert Hutchison says. “We love how the black color makes the building recede into the background, and how it in turn allows the trees on the site to emerge as the highlight.”
Ohio State University's Knowlton Hall, designed by Mack Scogin Merrill Elam Architects, was complete in 2004.
Ohio State University's Knowlton Hall, designed by Mack Scogin Merrill Elam Architects, was complete in 2004.
Specialized Housing: The first facility of its kind in Washington, D.C., La Casa, designed by Studio Twenty Seven Architecture/Leo A Day, will provide permanent supportive housing for 40 men.
Specialized Housing: The first facility of its kind in Washington, D.C., La Casa, designed by Studio Twenty Seven Architecture/Leo A Day, will provide permanent supportive housing for 40 men.
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
For Gabriel Ramirez and his partner Sarah Mason Williams, following the Sea Ranch rules—local covenants guide new designs—didn’t mean slipping into Sea Ranch clichés. The architects love Cor-Ten steel, with its ruddy and almost organic surface, and they made it the main exterior material, along with board-formed concrete and ipe wood. The Cor-Ten, which quickly turned an autumnal rust in the sea air, and the concrete, with its grain and crannies, mean the house isn’t a pristine box, Ramirez says. His Neutra house “was very crisp and clean,” he says. “This house is more distressed, more wabi-sabi.”
For Gabriel Ramirez and his partner Sarah Mason Williams, following the Sea Ranch rules—local covenants guide new designs—didn’t mean slipping into Sea Ranch clichés. The architects love Cor-Ten steel, with its ruddy and almost organic surface, and they made it the main exterior material, along with board-formed concrete and ipe wood. The Cor-Ten, which quickly turned an autumnal rust in the sea air, and the concrete, with its grain and crannies, mean the house isn’t a pristine box, Ramirez says. His Neutra house “was very crisp and clean,” he says. “This house is more distressed, more wabi-sabi.”

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