An ample sill made of English elm was built into two front windows to create a gathering spot that is visually connected to the street. Donna Wilson’s lively Ernest pouf in coral Nos Da upholstery for SCP adds extra seating in the living room.
The hideaway grows darker as residents move through the space toward the bedroom. The only light in the sleeping space enters indirectly from the nearby glass façade, as well as from a small ventilation window in the northern corner.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik.
Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
When not in use as the headboard, the large redwood slab folds down to become a desk.
