“I believe that whenever you’re hiring an artist, and Funn is an artist, he’s going to do his best work if he’s trusted,” says Kartheiser.
When not in use as the headboard, the large redwood slab folds down to become a desk.
Designer in Brooklyn, New York
"The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."
The clean lines and, in Loft R's case, balcony with a view of downtown's skyline suit Robert Vanselow's urbane sensibility. "This was spot on," he says.
Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.
The 1920s building was converted into lofts in 2000. The client started out looking for new cabinet hardware and an improved connection between the laundry room and the guest bath, but ultimately decided to work with the firms on a full overhaul.
Futuristic floating stairs lead to the loft’s mezzanine. Throughout the lower level, natural stone was chosen for the flooring, laid at an irregular angle to add visual interest.